Composer of the Week Podcast Folgen

Donald Macleod explores the life and music of Charles Villiers Stanford. With Jeremy DibbleMarking the centenary of his death, Composer of the Week explores the remarkable life and music of Sir Charles Villiers Stanford. Stanford was one of the leading musicians of his generation and, along with Parry and Mackenzie, he was one of the main protagonists in Britain’s musical renaissance at the end of the 19th century. Born in Dublin, Stanford rose to the very top of the British music scene, as both a conductor and composer. He also maintained strong links to Germany, following his studies in Leipzig and Berlin. Stanford’s works were popular in Europe, as well as Britain, with conductors such as Hans Richter promoting his music. Today, Stanford is largely remembered for his sacred works, however his prolific output covers most genres and he had a particular passion for opera. He was an influential teacher at the Royal College of Music and Cambridge University; many future musical luminaries passed through his classes, including Gustav Holst, Ralph Vaughan Williams, Rebecca Clarke and Samuel Coleridge-Taylor. Stanford was a tremendous force for good in British music, and in honour of his contribution to British culture, his ashes are interred in Westminster Abbey close to the remains of Henry Purcell. This week, Donald Macleod is joined by Stanford biographer, Jeremy Dibble to explore Stanford life and music.Music Featured:The Bluebird, Op 119 No 3 (excerpt) Three Intermezzi, Op 13 No 1 (Allegretto scherzando) The Resurrection, Op 5 Symphony No 1 (Scherzo) The Veiled Prophet (Act 2 Love Duet) Service in B flat major, Op 10 (Magnificat) Symphony No 2 ‘Elegiac’ (Lento espressivo) To the Rose, Op 19 No 3 Piano Trio No 1, Op 35 (Allegretto con moto) Elegiac Ode, Op 21 (The night, in silence, under many a star) The Lord is my Shepherd Symphony No 3, Op 28 “Irish” (Allegro molto Vivace) Piano Quintet in D minor, Op 25 (Allegro risoluto) A Child’s Garland of Songs, Op 30 No 9 (My ship and me) The Clown’s Song from Twelfth Night’, Op 65 No 3 Six Irish Fantasies, Op 54 No 3 (Jig) Symphony No 5, Op 56 ‘L’Allegro ed il Pensieroso’ (Andante molto tranquillo) Shamus O’Brien, Op 61 (Act 2 Captain Trevor’s Song) Requiem, Op 63 (Agnus Dei et Lux aeterna) Te Deum, Op 66 (Judex crederis) Ten Dances, Old and New, Op 58 No 1 (Valse) Songs of the Sea, Op 91 No 3 (Devon, O Devon, in wind and rain) Magnificat in G, Op 81 String Quartet No 4 in G minor, Op 99 (Allegro molto vivace) Stabat Mater, Op 96 (Virgo virginum praeclara) String Quintet No 2 in C minor, Op 86 (Andante) A Song of Hope, Op 113 No 3 Six Songs from ‘The Glens of Antrim’, Op 174 No 2 (The sailor man) String Quartet No 7 in C minor, Op 166 (Allegro molto) Irish Rhapsody No 4, Op 141 (The Fisherman of Loch Neagh and What he Saw) An Irish Idyll in Six Miniatures, Op 77 No 2 (The Fairy Lough) Mass Via Victrix, Op 173 (Agnus Dei) How beauteous are their feetPresented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Villiers Stanford (1852-1924) https://www.bbc.co.uk/programmes/m001xdr0And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the lives and music of uncle and nephew Andrea and Giovanni GabrieliAndrea and Giovanni Gabrieli share a name that dominated Venetian music during the late 16th and early 17th century. Both uncle and nephew were organists and composers, and their music was linked inextricably with the exceptional city in which they lived and worked. From the organ loft of St Mark’s Basilica to the resplendent palazzos of merchants and noblemen, they provided the soundtrack to Venice’s golden age, with its numerous feast days and celebrations. But together, they would also pioneer an ambitious way of writing choral music - playing with texture and architecture– that would eventually echo beyond the Venetian waterways and profoundly affect the music of the future.Music Featured:Andrea Gabrieli: Benedictus dominus Deus sabbaoth Andrea Gabrieli: Fantasia allegra del duodecima toni Andrea Gabrieli: Hor chel nel suo ben seno; Vaghi augelletti; Angel del terzo ciel; O suave a mio cor Andrea Gabrieli: Aria della battaglia Andrea Gabrieli: Laudate dominum omnes gentes a 5; Laudate Dominum in sanctis eius a 10; Giovanni Gabrieli: O magnum mysterium Andrea Gabrieli: Ricercar del settimo tuono Giovanni Gabrieli: Deus qui beatum Marcum Andrea Gabrieli: Sancta et immaculata; Laetare Jerusalem Andrea Gabrieli: Maria Magdalenae et altera Maria; Maria stabat ad monumentum Andrea Gabrieli: Kyrie a 5; Christe a 8; Kyrie a 12; Gloria a 16 Giovanni Gabrieli: Exaudi me domine a 16 Giovanni Gabrieli: Hic est filius Dei (arr. Timothy Higgins) a 18 Giovanni Gabrieli: Hodie Christus natus est Giovanni Gabrieli: Sonata pian e forte Giovanni Gabrieli: Udite, chiari e generosi figli Andrea Gabrieli: Psalmi Davidici, Psalmo 31:Beati quórum remissae; Delictum meum cognitum tibi feci; Tu es refugium meum a tribulatione; In camo et fraeno Giovanni Gabrieli: Audite príncipes Giovanni Gabrieli: Litaniae Beatae Mariae Virginis Andrea Gabrieli: O salutaris hostia Giovanni Gabrieli: Cantate Domino a 8 Giovanni Gabrieli: Sonata con tre violini - XXI Giovanni Gabrieli: Timor et tremor Giovanni Gabrieli: Jubilate Deo Giovanni Gabrieli: Sonata a 22; Magnificat a 33 Giovanni Gabrieli: Sonata octavi toni a 12; Omnes gentes Giovanni Gabrieli: Sacri di Giove augei, sacre Fenici Giovanni Gabrieli: Canzon XXVIII a 8 “Sol sol la fa mi” Giovanni Gabrieli:Buccinate in neomenio tuba Giovanni Gabrieli: Canzon per sonar primi toni a 10; Canzon a 4 “La Spiritata”; Canzon 3 a 6 Giovanni Gabrieli: Maria virgo a 10; Canzon in echo duodecimo toni; Hic est filius Dei Giovanni Gabrieli: Quem vidistis pastores Giovanni Gabrieli: In eclesiisPresented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Andrea and Giovanni Gabrieli https://www.bbc.co.uk/programmes/m001x3y2And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the life and music of Ennio MorriconeEnnio Morricone is cited as one of the most experimental and influential composers of all time, undoubtedly recognised as one of the world’s greatest ever composers of music for film. A legendary figure who over the course of his career won numerous awards, and accolades, his innovative soundworlds helped to define what film music could be for multiple genres of cinema. Morricone’s music extended far beyond the desert landscapes of Spaghetti Westerns, not just to other genres on the Silver Screen, but also into the worlds of pop music, and into the concert hall – where his study and composition of avant garde music gave him the techniques to experiment within his scores for film as well. Over the course of this week, following on the heels of the 2024 Academy Awards, Donald Macleod explores the incredible career of Ennio Morricone, a composer who quite astoundingly wrote over 500 scores for film and television, as well as over 100 classical works.Music Featured:Invenzione The Ecstasy of Gold from The Good, The Bad and The Ugly Party Prohibito from I malamondo Musica per undici violini Eduardo di Capua and Alfredo Mazzucchi: O sole mio (arr. Morricone) Edoardo Nicolardi and Ernesto de Curtis: Voce e’notte (arr. Morricone) Concerto for Orchestra Scambio di prigionieri from A Fistful of Dollars The Man with the Harmonica from Once Upon a Time in the West Woody Guthrie: Pastures of Plenty (arr. Enrico Morricone) The Trio (extended version) from The Good the Bad and the Ugly Titles & A Fistful of Dollars (version 2) from A Fistful of Dollars Sixty Seconds to What? & Main Theme from For a Few Dollars More Requiem per un destino (Excerpt) Main Title from The Good the Bad and the Ugly Opening credits from Uccellacci e uccellini Addio a Pier Paolo Passolini Ostia from Pasolini, un delitto Italiano Birth of a City & Finale from Once Upon a Time in the West Suoni per Dino Delirio Secondo from Un Tranquillo Posto Di Campagna La Lucertola from Una Lucertola con la Pelle Di Donna Silenzio nel caos from The Bird with the Crystal Plumage Four Flies on Velvet (take 6) from Four Flies on Grey Velvet Deborah's Theme from Once Upon a Time in America Cockeye’s Song & Once upon a time in America – theme from Sergio Leone Suite Theme from Rampage La classe operaia va in paradiso from The Working Class Goes to Heaven or Lulu the Tool Fire from Days of Heaven Humanity (Part 2) from The Thing Four studies (Nos 1 & 2) Bugsy Cinema Paradiso Miserere & Gabriel’s Oboe from The Mission Theme from The Untouchables Voci dal silenzio (Excerpt) Theme from Il Mercenario Volti e fantasmi from La Migliore Offerta ’Ultima Diligenza di Red Rock from the Hateful Eight On Earth as it is in Heaven from The MissionPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ennio Morricone (1928-2020) https://www.bbc.co.uk/programmes/m001wyr0And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z