Composer of the Week Podcast Folgen

Donald Macleod explores the life and music of the English composer Ruth Gipps.Ruth Gipps was born in Bexhill-on-Sea in 1921. Her Swiss-born mother was an accomplished pianist and, recognising her daughter’s aptitude, taught her piano from an early age. Gipps was four years old when she gave her first public performance, at Grotrian Hall in London. It was from that moment on, she said later, that she knew without a shadow of a doubt, that playing the piano was her job and that she wanted to be a composer.A highly gifted and versatile musician, on 25th March 1945, Gipps took part in a public concert as the soloist in Glazunov’s Piano Concerto before re-joining the woodwind section of the City of Birmingham Orchestra as an oboist for the premiere of her first symphony. Four more symphonies were to follow. But a troublesome injury to her hand, which she had sustained in childhood, brought her career as a concert pianist to an end in the 1950s. By this stage she had achieved some notable successes as a composer. The recipient of several composition prizes, an early high point was the selection of her orchestral work “Knight in Armour” by Sir Henry Wood for the Last Night of the Proms broadcast in 1942.Awarded a doctorate in music in 1947, Gipps held teaching posts at London’s Trinity College of Music, the Royal College of Music and Kingston Polytechnic and did terms as Chair of both the Composers’ Guild and the newly founded British Music Information Centre. There’s little doubt though that Gipps faced considerable gender discrimination in several of the fields in which she excelled. On discovering her enjoyment of conducting, she overcame this by founding two orchestras, the London Repertoire Orchestra in 1955, and then the Chanticleer Orchestra.A composition pupil of Vaughan Williams, Gipps defined her music as, “a follow-on from her teacher, Bliss and Walton, the three giants of British music since the Second World War.” While all these composers can be heard in her music, her music has its own distinctive and original qualities. Publicly outspoken, Gipps remained firmly anti-modernist. She regarded 12-tone music, serial music, electronic music and avant-garde music as utter rubbish. From the late 1950s the musical establishment felt her music was out of step with the times, and they bypassed her work. She did have some admirers, including Sir Arthur Bliss, whom she had first met in 1942, who continued to support and admire her music but in general it fell to her own resourcefulness to get her music heard, arranging performances, which she would then conduct with her own orchestras.Across the week Donald Macleod is joined by Victoria Rowe, the keeper of Gipps’ archive and her daughter-in-law. Together they build a picture of Gipps as a child performer, a young student, an educator, a conductor and a composer. The series features specially recorded material from the BBC’s performing groups, including Gipps’ second, third and fourth symphonies. There’s also a brand-new recording of Cringlemire Garden, for string orchestra, and two more new releases, both of which explore her chamber music. All three recordings are planned for release later this year, to mark the centenary year of her birth.Music Featured: The Fairy Shoemaker The Kelpie of Corrievreckan Op 5b Quintet Op 16 Piano Concerto in G minor Op 34 Clarinet Concerto in G minor Op 9 (III: Vivace) Symphony No 2 (excerpt) Knight in Armour Rhapsody in E flat Op 23 Jane Grey Fantasy Op 15 Sonata Op 45 (4th movt) Cringlemire Garden Seascape for 10 wind instruments An Easter Carol Op 52 Gloria in excelsis Op 62 Symphony No 3 (3rd & 4th movts) Symphony No 4 Op 61 (II: Adagio – piu mosso – Tempo I (Adagio)) Sonata for cello and piano, Op 63 (excerpt) Theme and Variations, Op 57a Symphony No 4 Op 61 (1st movt) Horn Concerto, Op 58 David Pyatt, horn Octet for Wind, Op 65 (2nd movt: Waltz) Opalescence, Op 72 Pan and Apollo, Op 78 Wind Sinfonietta, Op 73 Symphony No 4, Op 61 (IV: Finale)Presented by Donald Macleod Produced by Johannah Smith for BBC WalesFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ruth Gipps (1921-1999) https://www.bbc.co.uk/programmes/m000sxblAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the life and music of the young Richard Strauss During Richard Strauss’s lifetime the sound and form of music altered radically. He was born at the tail end of the 19th century and saw the emergence of twelve tone music and atonality from younger composers like Arnold Schoenberg and his pupil Alban Berg. Strauss belonged to a previous generation and his music came to be regarded as conservative in style, but at the start of his career, Strauss had been seen as something of a modernist, breaking the mould with his series of innovative orchestral tone poems, and with the dissonant soundworld of operas such as Salome and Elektra.This week Donald Macleod follows the young Strauss’s pathway leading up to and including the tone poems, seeing how an immersion in music across his formative years influenced his ideas about orchestral writing, as well as opening up opportunities that helped him to establish a professional career as a conductor.Featured music:Oboe Concerto in D (3rd mvt: Allegro (excerpt)) Festmarsch in E flat major, Op 1 Horn Concerto No 2 in E flat major AV 132 (III: Rondo (Allegro molto) Symphony No 1 in D minor TrV 94 (II: Andante) Concerto for violin in D minor (I: Allegro) Concert Overture in C minor Op 80 TrV125 Suite in B flat major Op 4 (III: Gavotte. Allegro) Symphony No 2 in F (I: Allegro ma non troppo) Burlesque in D minor for piano and orchestra 8 Gedichte aus "Letzte Blätter", Op 10, TrV 141 (No. 3, Die Nacht) Aus Italien op 16 (1887) (I: Auf der Campagna) 5 piano pieces Op 3 (IV: Allegro) Serenade in E flat Op 7 for 13 wind instruments Piano Quartet in C minor Op 13 TrV 137 (IV: Finale Vivace) Tod und Verklärung, Op 24 TrV 158 Morgen! Op 27 Overture to Act 2, Guntram (excerpt) Prelude to Act 1, Guntram Also sprach Zarathustra, Op 30 , TrV 136 Gesang der Apollopriesterin Op 33 Ein Heldenleben, Op 40 (Ein Held) Freundliche Vision Op 48 No 1 Violin Sonata in E flat Op 18 (II: Improvisation – Andante cantabile) Ein Heldenleben Op 40 (excerpt) Der Abend, Op 34Presented by Donald Macleod Produced by Johannah Smith for BBC WalesFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Richard Strauss (1864-1949) https://www.bbc.co.uk/programmes/m000spn0And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Felix Mendelssohn was one of the most gifted and versatile musicians the world has ever seen. As a child prodigy he was likened to Mozart and he grew to become one of the most famous and beloved composers in Europe, during the middle of the 19th century. His life was cut tragically short, at the age of 38, while he was at the very height of his powers. This week, Donald Macleod focuses on the final five years of Mendelssohn’s life, and follows the composer through his extremely hectic work schedule which undoubtedly contributed to his early demise.Music Featured: Lied ohne Worte in E minor, Op 62 No 3 (Trauermarsch) Paulus, Op 36 (excerpt) Cello Sonata No 2 in D, Op 58 A Midsummer Night’s Dream, Op 61 (excerpt) O for the wings of a dove! (From Hear My Prayer) Lieder ohne Worte in B flat, Op 62 No 2, 5-6 Lieder ohne Worte in E flat, Op 67 No 1 Violin Concerto in E minor, Op 64 Organ Sonata No 5 in D, Op 65 Wenn sich zwei Herzen scheiden, Op 99 No 5 Lieder ohne Worte in C, Op 67 No 4 Lieder ohne Worte in A, Op 85 No 5 Lieder ohne Worte in D, Op 102 No 2-3 Piano Trio No 2 in C minor, Op 66 Athalie, Op 74 (Overture & War March) Lied ohne Worte in D minor (Reiterlied) Rondo Brilliant in E flat, Op 29 Lauda Sion, Op 73 Nachtlied, Op 71 No 6 Jubilate, Op 69 Symphony No 3 in A minor, Op 56 “Scottish” (Vivace non troppo & Adagio) String Quartet in F minor, Op 80Presented by Donald Macleod Produced by Luke Whitlock, for BBC WalesFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Felix Mendelssohn (1809-1847) https://www.bbc.co.uk/programmes/m000shr0And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z