Composer of the Week Folgen

Donald Macleod surveys the life and music of the elusive French composer, Edouard Lalo Even if you know the name, it's possible you might not be able to place the French composer Edouard Lalo date-wise. He was born in Lille in 1823. Berlioz was his senior in age by some twenty years, Saint-Saëns twelve years his junior. Lalo has a direct contemporary in the shape of César Franck, another composer who preferred to stay out of the limelight. As a musician, Lalo cut an independent path, preferring to complete his music studies privately rather than following the accepted route of attending the Paris Conservatoire.Lalo had a retiring nature, a man who appears to have preferred the quiet life. That doesn't mean he wasn't sociable. He seems to have been generally well liked. He lived in Paris from the age of sixteen and mixed with and knew all the leading musical personalities of the day. Aside from the Symphonie espagnole, he wrote several operas, a ballet, a symphony, a whole number of orchestral and chamber works including three piano trios and a string quartet, and something in the region of 30 songs.Trying to get a handle on Lalo isn't straightforward. The first letter that’s been preserved dates from 1848, by which time Lalo was in his late twenties. His son Pierre was a primary source of information about his father, but more recent research indicates the picture he drew seems to have been somewhat rose-tinted. The first full length biography in English has yet to be published.Donald Macleod sets about mapping the life and the music of this elusive, yet significant figure in French musical history in a survey that takes us from Lalo's early experiences in Lille, where he first met Berlioz, to his eventual triumph, age sixty on the opera stage with Le roi d'Ys.Music Featured:Guitarre, op 28 arr. Ernest Guiraud Symphonie Espagnole in D minor , Op 21 (I: Allegro non troppo) Le roy d’Ys - Overture Violin sonata in D major, “Grand duo concertant” Op 12 (2nd movement Variations) Piano Trio No 2 (III: Minuetto: Allegro) Violin Concerto No 1 in F major, Op 20 (I: Andante – Allegro) Deux impromptus, Op 4 (I : Espérance) Symphonie Espagnole in D minor, Op 21 (II : Scherzando; Allegro molto) Trois mélodies La fenaison Six romance populaires (IV : Si j’étais petit oiseau; I : La pauvre femme) Piano Quintet "Grand Quintette" in Ab major (2nd movement) Cello Concerto in D minor (I. Prélude. Lento - Allegro maestoso) Rapsodie norvégienne Divertissement No 3: Andantino Fiesque, Act 2: Entr’acte: une place de Gênes Fiesque, Act 1: Je ne puis supporter Fiesque Act 2 (except) Piano Trio No 3 in A minor, Op 26 (II: Presto) Sonata for cello and piano (I: Andante non troppo) Concerto russe (II: Chants russe; III. Intermezzo) Namouna, Act 1: Valse de la Cigarette Symphony in G minor (III: Adagio) Namouna Suite No 2 Piano Trio in A Minor, Op 26 (I: Allegro appassionato) Cello Concerto in D minor (II: Intermezzo; III: Introduction: Andante - Allegro vivace) Overture to Le roi d’Ys (excerpt) Le roi d’Ys, Act 3: Vainement, ma bien-aimée String Quartet in E flat (I: Allegro vivo) Piano Concerto in F minor (I: Lento-Allegro) Le roi d’Ys, Act 1 (excerpt) Le roi d’Ys, Act 3 (excerpt) Symphonie Espagnole (V: Rondo)Presented by Donald Macleod Produced by Johannah Smith for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Edouard Lalo (1823-1892) https://www.bbc.co.uk/programmes/m001rhyp And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Kate Molleson explore the life and music of Afro-Brazilian composer José Maurício Nunes GarciaComposer of the Week shines the spotlight on the Afro-Brazilian composer José Maurício Nunes Garcia. Hailed by some as the Father of Brazilian Classical Music, and compared by others to Mozart and Haydn, this series delves into the life and music of this once hugely prolific and popular composer. Born in Rio de Janeiro, both his parents were children of slaves. Thanks to his exceptional musical talents, Garcia was able to move from his poverty-stricken beginnings to the very top of his society. He became Master of Music at the Cathedral. Later, when the Portuguese Court established themselves in the city, Garcia was appointed Master of Music at the Chapel Royal and Court Composer. Kate Molleson is joined by Professor Marcelo Hazan from the University of South Carolina and Professor Kirsten Schultz from Seton Hall University who help her explore Garcia’s incredible life story and music.A hugely influential teacher of music from early on, Garcia established his own free music school and was invited into the homes of the elite to teach their daughters. His trajectory wasn’t always plain sailing however and he frequently encountered racism. When it came to Garcia entering the Priesthood in the early 1790s, he had to undergo a number of tests to prove his worth, including providing impeccable references to offset the official concerns about his family background. Garcia was ordained, and with his musical skills finally recognised by the Church and Portuguese Court, he became the go-to composer for Saints Days, Royal occasions, and other commissions. However, many European musicians who came to Rio de Janeiro were not keen to be conducted by someone of his race. Eventually, Brazil gained independence from the Portuguese Empire and Garcia’s Royal employers were returned to Portugal, leaving Garcia struggling during turbulent times.Music Featured:Missa pastoril para a noite de natal (Kyrie eleison) Tenuisti manum dexteram meam Missa pastoril para a noite de natal (excerpt) Fantasy No 1 Fantasy No 2 Lição No 7 da Segunda Parte Tota Pulchra es Maria Zemira, Overture Immutemur Habitu Sinfonia fúnebre Tenuisti Manum Crux Fidelis Popule Meus Francisco Manuel da Silva: Brazilian National Anthem Fantasy No 6 Requiem Mass (excerpt) Dies Sanctificatus Justus cum ceciderit Judas Mercator pessimus Missa pastoril para a noite de natal (excerpt) Overture in D major Marcos António Portugal: Cuidados, tristes cuidados Beijo a mão que me condena Laudate pueri In Monte Oliveti Josef Haydn: Piano Sonata No. 62 in E flat, Hob. WVI: 52 (Finale) Lição No 8 da Primeira Parte Lição No 4 da Segunda Parte Lição No 8 da Segunda Parte Laudate dominum Requiem Mass (excerpt) Creed No 9 in B flat (excerpt) Fantasy No 4 Missa de Nossa Senhora da Concição (excerpt) Lição No 3 da Segunda Parte Lição No 6 da Segunda Parte Requiem Mass (excerpt) Domine Tu Mihi Lavas Pedes Inter VestibulumPresented by Kate Molleson Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for José Maurício Nunes Garcia (1767-1830) https://www.bbc.co.uk/programmes/m001qvv7And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod marks Composer of the Week's 80th anniversaryComposer of the Week has been produced in Cardiff since 1999 so it's fitting that Donald is celebrating Welsh composers in this anniversary series. Following on from a live concert given in the BBC's Hoddinott Hall in Cardiff Bay, with the BBC Singers, Donald continues the story of Welsh music with programmes featuring music by Grace Williams, Hilary Tann, Morfydd Owen, Dilys Elwyn-Edwards and Rhian Samuel. This quintet of composers were all born in Wales, and much of their music finds inspiration in their Welsh roots. Collectively their stories will take us from the 1890s to the present day.Music Featured:Morfydd Owen: Beti Bwt (Welsh Impressions) Dilys Elwyn-Edwards: The Cloths of Heaven Morfydd Owen: My luv's like a red, red rose Morfydd Owen: Nocturne for orchestra in D flat major Dilys Elwyn-Edwards: Lullaby for piano Dilys Elwyn-Edwards: Laudate Dominum Dilys Elwyn-Edwards: All that's past Dilys Elwyn-Edwards: Caneuon y Tri Aderyn Grace Williams: Symphony no. 2 (excerpt) Grace Williams: Ballads, IV: Allegro furioso Grace Williams: Fantasia on Welsh Nursery Tunes Grace Williams: Sea Sketches (excerpt) Grace Williams: Elegy Rhian Samuel: Four-and-a half Dancing Men (A Garland for Anne) Rhian Samuel: Little Duos for oboe and cor anglaise (Little Whispers) Rhian Samuel: A Perfect View Rhian Samuel: Gaslight Square II for piano duo Rhian Samuel: Love Bade me welcome Rhian Samuel: Salve nos Rhian Samuel: Time out of Time (excerpt) Rhian Samuel: Clytemnestra for female voice and orchestra (excerpt) Hilary Tann: From the Song of Amergin (excerpt) Hilary Tann: Nothing Forgotten (I: Andante maestoso) Hilary Tann: Llef for flute and cello (excerpt) Hilary Tann: Shakkei (II: Leggiero) Hilary Tann: Water's Edge (II: From the Riverbed) Hilary Tann: Seven peoms of stillness (I: The air a staircase for silence (Kneeling)) Hilary Tann: In the First, Spinning PlacePresented by Donald Macleod Produced by Johannah Smith for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Anniversary Special: A Welsh Quintet https://www.bbc.co.uk/programmes/m001qfrtAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z