James Naughtie and readers talk to the American writer and artist Art Spiegelman about his graphic novel Maus.First published in short frames in his experimental comic RAW in the 1970s, Maus the book has become a publishing phenomenon, selling over two million copies world wide.It tells the story of his parents, Vladek and Anja Spiegelman, from their first meeting in pre-war Poland to their survival of the death camps at Auschwitz and Dachau and their move to New York after the war.Part of the success of the book is Art's portrayal of the characters as animals. The Jews are mice, the Germans cats, the Poles pigs and the Americans dogs. The mouse metaphor, he says, came naturally to him as a comic book writer. He wanted to keep the scale of the book small, and with Maus, all he wanted to do was tell a story, he never wanted to change the world, he's too pessimistic for that.The story follows the birth of his elder brother Richieu, who was poisoned by an aunt rather than face capture; how his parents were hidden by generous Poles, and then betrayed to the SS as they paid to be smuggled over the border to safer Hungary. As well as the force of this story, Art Spiegelman talks about the powerful subplot which shows the difficult relationship between father and son, and what it could be like for the child of Holocaust survivors. In Maus, Art refuses to sentimentalise or sanctify his father the survivor; and in the same way his self-portrait is unflinching in its honesty.Producer : Dymphna FlynnMarch's Bookclub choice : The Line of Beauty by Alan Hollinghurst.
Kultur & Gesellschaft
Bookclub Folgen
Led by James Naughtie, a group of readers talk to acclaimed authors about their best-known novels
Folgen von Bookclub
353 Folgen
-
Folge vom 05.02.2012Art Spiegelman - Maus
-
Folge vom 01.01.2012Hunter Davies on The BeatlesHunter Davies talks to James Naughtie and readers about his biography of The Beatles, first published in 1968. Recorded at the Cavern, Liverpool.In 1966-68 Hunter Davies spent eighteen months with the Beatles at the peak of their powers. As their only ever authorised biographer he had unparalleled access - not just to John, Paul, George and Ringo but to their friends, family and colleagues. He hung out in Abbey Road studios whilst they recorded Sgt Pepper's Lonely Hearts Club Band. At the end of sessions the Beatles happily let him pick up scraps of paper with half written lyrics on them, before the cleaners could tidy up. In the early 1980s he realised they were worth more than his house, and he gave them to the nation; the lyrics to Yesterday he saved now sit alongside the Magna Carta in the British Library. All four Beatles were committed to the book, and Hunter was able to spend time with their families, John's Aunt Mimi, and Ringo's mother and stepfather as they settled into their swanky new bungalows far from the screaming fans in Liverpool. He even found John Lennon's estranged father, Freddie Lennon, who was washing dishes in a hotel not far from John's new home in Surrey - and Hunter introduced John to him after many years. Looking back at the book some forty years later, Hunter regrets not writing more about witnessing the Lennon and McCartney song writing process; he saw the genesis of songs like Getting Better and Across the Universe.And although the book was first written and published before the group's acrimonious split, Hunter says that George was already fed up of being a Beatle, and John was listless and bored. Bookclub with Hunter Davies is a fascinating account of the heady days of the Beatles' success. At the time he thought the bubble would burst and that they would be replaced in people's affections - though not his own.Producer : Dymphna FlynnFebruary's Bookclub : Maus by Art Spiegelman.
-
Folge vom 04.12.2011Sebastian Barry: The Secret ScriptureDecember's Bookclub author is Sebastian Barry. Well known as a successful dramatist and novelist, his literary career became stellar when he won the 2008 Costa Book of the Year Award with this month's chosen book, The Secret Scripture; and he is considered one of Ireland's greatest living writers.The novel is told by Roseanne, who is uncertain of her age; she thinks she is now one hundred. She's been incarcerated in asylums in Ireland for over sixty years, and is writing the story of her life, on pieces of paper that she hides under the floor boards of her room.This is the Secret Scripture of the title; which comes from a poem by an Irish nationalist poet, Thomas Kettle, who fought for the British in World War I. As the book unfolds, we discover the why and the how of her incarceration. The second narrator of the novel is Roseanne's psychiatrist Dr William Grene, who must judge whether Roseanne can be released into society as the hospital is about to close. As he comes to know her, he becomes fascinated by her and the history - which is the history of twentieth century Ireland - that she represents.Sebastian Barry tells readers how he uses his own family in his fiction and how the character of Roseanne came from hearing about a great aunt who had been shunned by the rest of the family - the only thing known about her was her great beauty. His was a family beset with secrets, and his mother, Joan O'Hara (a famous actress of her day), was a "consummate un-coverer of secrets".January's Bookclub choice : 'The Beatles' by Hunter Davies.Producer : Dymphna Flynn.
-
Folge vom 06.11.2011Iain Banks: The Wasp FactoryIain Banks meets James Naughtie and readers at the National Library of Scotland in Edinburgh to talk about his debut novel The Wasp Factory, first published in 1984.This shocking novel is an insight into the life of sixteen year old Frank, a brutal and disturbed teenager who enjoys killing animal and insects all too much. But Frank isn't alone in his madness - his brother Eric has just escaped from an asylum, and is gradually making his way back home to the remote island house Frank shares with his father Angus.Banks' major achievement is to make the reader feel sorry for this character of Frank and as one audience member acknowledges, to make us laugh. Iain talks about how he drew on his own childhood experiences of dam-building, kite-making and experimenting with explosives to create the character of Frank - but that is where the similarities end. Iain's own boyhood was a happy one, it was purely his desire to shock as an emerging author that led him to Frank. He says he identifies with none of the characters in the story and describes his writing in the Wasp Factory as 'exaggeration'. Readers who know the Wasp Factory will remember its startling ending, where it is disclosed that Frank is not all he seems, and Iain reveals how this part of the story came to him. Producer : Dymphna FlynnDecember's Bookclub choice : The Secret Scripture by Sebastian Barry.