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Kultur & Literatur

Crossing Continents

Series focusing on foreign affairs issues

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Folgen von Crossing Continents

368 Folgen
  • Folge vom 22.12.2022
    Spain's Flamenco on the Edge
    To many of us, the passionate music and dance known as flamenco is an important marker of Spanish identity, and perhaps even synonymous with it. So much so, that UNESCO has recognised the art form as part of the world’s Intangible Cultural Heritage. Yet its place within the country of its birth is both more complicated – and more precarious - than this might suggest. During the Covid lockdowns, a third of all flamenco venues closed down, and with many yet to reopen, training opportunities for new artists remain in short supply. The pandemic has also exacerbated the struggle of many singers and dancers to make ends meet. Meanwhile, to the outrage of purists, other practitioners see a future in fusing traditional flamenco with new, more commercially viable genres, such as pop and hip-hop. Still others see flamenco as a stereotype, and unhelpful to their country’s modern image. For Crossing Continents, the BBC’s Madrid correspondent Guy Hedgecoe takes us on a colourful journey, reflecting on flamenco’s intriguing origins among the downtrodden folk culture of southern Spain, its difficult present, and its possibly uncertain future.Presenter: Guy Hedgecoe Producer: Mike Gallagher Studio mix by: Rod Farquhar Production coordinator: Iona Hammond Series editor: Penny Murphy
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  • Folge vom 15.12.2022
    Hungary’s power dilemma
    Paks, a small Hungarian town on the shore of the River Danube an hour or two south of Budapest has prospered from its nuclear power station, built by the Soviet Union in the mid-1980s. Hungary has prospered too. Paks provides some 40 per cent of the country’s power requirements. But the four reactors are now approaching the end of their lives and are scheduled for closure in 2032; so in 2014 agreement was reached with Russia to build two more, with the help of a Russian loan, Russian engineers, and a small army of Ukrainian welders. But the invasion of Ukraine by the Russian army in February 2022 has thrown these plans into disarray. Construction has begun, in the sense that bulldozers have been clearing the ground. But the project is already delayed, and there are those who believe that the new reactors will never be built. As Nick Thorpe discovers, people who thought they had a job for life in Paks are worried about their future and the future of a town whose lively shops and restaurants owe everything to the nuclear industry. Now the centre-piece of prime minister Viktor Orban’s energy empire, Paks may soon become the country’s rustbelt. Presenter: Nick Thorpe Produced by Tim Mansel Studio mix by Neil Churchill Production coordinator Iona Hammond Series editor: Penny Murphy
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  • Folge vom 08.12.2022
    California's cannabis reparations
    In California, cannabis is legal for recreational use and it’s created a multi-billion dollar industry. But who’s been reaping the rewards? For decades people from Black and Latino communities have been disproportionately arrested and imprisoned on cannabis drugs charges – and yet few appeared to benefit from the legal cannabis boom. So to make amends, California has been pioneering a policy to give those targeted in the war on drugs, a chance to share in the new cannabis industry. But is it working? Sharon Hemans has been to the city of Oakland to find out.Presenter: Sharon Hemans Producer: Alex Last Studio engineer: Neil Churchill Series editor: Penny Murphy Production Co-ordinator: Iona Hammond
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  • Folge vom 01.12.2022
    Cold-calling Siberia
    Sasha Koltun volunteered to fight in Putin's war against Ukraine, though his mother Yelena begged him not to go. Four days later, he was dead, one of several dozen new recruits from across Russia who never even reached the battlefield. What happened to him - and will his mother, battling official indifference and obstruction, ever discover the truth? With the Kremlin currently restricting access to Russia for Western reporters, Tim Whewell picks up the phone to talk to her and other people in and around the city of Bratsk, in central Siberia, about how the war has affected them. Many are afraid to talk. But others describe their anxiety as they wave goodbye to their menfolk, their confused feelings about the war - a mixture of patriotism and doubt - and the chaotic organisation of the call up. Some recruits have had to buy their own uniform and equipment. Others have suffered as discipline breaks down at some training camps. Tim talks to a former policewoman determined to encourage support for the war, who makes stretchers for wounded Russian soldiers - and to a young woman who believes it was her boyfriend's duty to be a soldier. But Yelena Koltun - who lost her son Sasha - cannot understand what her country is fighting for.Presented and produced by Tim Whewell, with additional production by Khristina Stolyarova. Studio mix by Graham Puddifoot Series editor Penny Murphy
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