Crossing Continents Folgen

As in many countries, obesity in Brazil is a major issue with one in four Brazilians now classified as obese and more than half the population overweight. But rather than focusing just on trying to lower this rate by promoting exercise and healthier ways of eating, campaigners and some city councils are successfully implementing changes which accept that high rates of obesity are probably here to stay and society should adapt to this. In a country famed for pressure to have the perfect beach body, these changes include schools buying bigger chairs and desks, hospitals buying bigger beds and MRI machines and theatres offering wider seats. Brazilian lawyers are starting to make legal challenges, particularly against discrimination in the workplace. Women are holding plus sized beauty contests to celebrate their larger bodies. Schools are hosting discussion clubs where they talk about how body shapes are perceived by their peers and wider society. Even so, campaigners say there’s a long way to go for bigger bodies to be culturally accepted in Brazil and overcoming what is known as “gordofobia” – belittling or discriminating against people who are larger than average. Camilla Mota travels to the south eastern coastal city of Vitoria to meet a plus size influencer and a lawyer campaigning to stop discrimination and trying to make the city more tolerant. She then flies 1500 kilometres north to another port city, Recife, where some changes have now taken place. Is this transformation away from the stereo-typical “body beautiful” only skin deep or the shape of things to come across the western world? Presenter: Camilla Mota Produced by Bob Howard Studio mix by James Beard Production coordinator Iona Hammond Series editor Penny Murphy

To many of us, the passionate music and dance known as flamenco is an important marker of Spanish identity, and perhaps even synonymous with it. So much so, that UNESCO has recognised the art form as part of the world’s Intangible Cultural Heritage. Yet its place within the country of its birth is both more complicated – and more precarious - than this might suggest. During the Covid lockdowns, a third of all flamenco venues closed down, and with many yet to reopen, training opportunities for new artists remain in short supply. The pandemic has also exacerbated the struggle of many singers and dancers to make ends meet. Meanwhile, to the outrage of purists, other practitioners see a future in fusing traditional flamenco with new, more commercially viable genres, such as pop and hip-hop. Still others see flamenco as a stereotype, and unhelpful to their country’s modern image. For Crossing Continents, the BBC’s Madrid correspondent Guy Hedgecoe takes us on a colourful journey, reflecting on flamenco’s intriguing origins among the downtrodden folk culture of southern Spain, its difficult present, and its possibly uncertain future.Presenter: Guy Hedgecoe Producer: Mike Gallagher Studio mix by: Rod Farquhar Production coordinator: Iona Hammond Series editor: Penny Murphy

Paks, a small Hungarian town on the shore of the River Danube an hour or two south of Budapest has prospered from its nuclear power station, built by the Soviet Union in the mid-1980s. Hungary has prospered too. Paks provides some 40 per cent of the country’s power requirements. But the four reactors are now approaching the end of their lives and are scheduled for closure in 2032; so in 2014 agreement was reached with Russia to build two more, with the help of a Russian loan, Russian engineers, and a small army of Ukrainian welders. But the invasion of Ukraine by the Russian army in February 2022 has thrown these plans into disarray. Construction has begun, in the sense that bulldozers have been clearing the ground. But the project is already delayed, and there are those who believe that the new reactors will never be built. As Nick Thorpe discovers, people who thought they had a job for life in Paks are worried about their future and the future of a town whose lively shops and restaurants owe everything to the nuclear industry. Now the centre-piece of prime minister Viktor Orban’s energy empire, Paks may soon become the country’s rustbelt. Presenter: Nick Thorpe Produced by Tim Mansel Studio mix by Neil Churchill Production coordinator Iona Hammond Series editor: Penny Murphy