From Our Own Correspondent Folgen

In a festive edition for Christmas Eve, Mishal Husain presents pieces by: Ian McMillan on the special pleasures of Christmas Eve; Sarah Oliver on advice for those daunted by the seasonal food extravaganza; Padraig O Tuama on what happened when Bethlehem came to Belfast; Datshiane Navanayagam on the make-or-break power of customer service departments at this time of year; and Jonnie Bayfield on how he fared in devising out-of-the-ordinary gift options.

Killing time on election day in Catalonia and the bitter experience of applying for a visa. Correspondents share their stories, insights, and complaints. Introduced by Kate Adie.Reporting restrictions on polling day prompt Kevin Connolly to explore Barcelona and take a bit of a gamble. Yolande Knell tries to ignore the tempting local delicacies in Jerusalem and sample public opinion instead. Linda Pressly meets the people hoping the river the Pilcomayo will once again flow through the Chaco – one of the most arid and unforgiving regions of South America situated along the border between Paraguay and Argentina. Chris Bowlby remembers New Year’s Eve 1992 and the moment when Czechoslovakia became the Czech Republic, and Slovakia. And of the many challenges that foreign reporting presents, the one Colin Freeman dreads most is applying for a visa.

What next for the ANC as its chuckling, charismatic and divisive leader Jacob Zuma departs? Kate Adie introduces correspondents' stories and insights from around the world. In South Africa, Andrew Harding looks back on President Zuma's time at the top of his party and his country. Joanna Robertson soaks up the seasonal spirit in Rome amid complaints about corruption, mafia collusion, a mangy municipal Christmas tree and a Christmas market with no stalls. Tim Hartley reports from Hong Kong as Beijing tries to blow the final whistle on protesting football fans who dare to disrespect the national anthem. Alexa Dvorson explores why all is not well in Bhutan, land of Gross National Happiness. And at an art gallery in Budapest, Nick Thorpe is reminded of both the censorship imposed by Hungary's former Communist rulers and the paradoxical freedoms granted to its people.