Front Row Folgen

Critics Larushka Ivan-Zadeh and Ludovic Hunter-Tilney join Tom to review Half Man, Richard Gadd’s follow up to his hit Baby Reindeer. They also discuss Anne Hathaway as a faded pop star looking to make a comeback in supernatural thriller Mother Mary. Plus they assess Deborah Levy’s book My Year in Paris With Gertrude Stein: a fiction. To celebrate Shakespeare's birthday, author and translator Daniel Hahn reveals the challenges of translating the Bard into different languages.Presenter: Tom Sutcliffe Producer: Claire Bartleet

A new biopic chronicles one of the 20th century’s biggest and most controversial music icons, but appears not to paint the whole picture about his life. We discuss Antoine Fuqua's Michael, which stars the pop legend Michael Jackson's nephew Jaafar in the lead role. Stand and Deliver is a National Theatre of Scotland production which tells the story of a legendary industrial dispute. In 1981, workers at a Lee Jeans factory in Greenock, barricaded themselves inside for seven months in a protest against the proposed closure of the factory and the loss of 240 jobs. We hear from the play's writer, Frances Poet, and journalist Paul English, whose writing about the women's stories inspired the production. Director Mark Jenkin tells us about his unique approach to filmmaking, using a clockwork camera and recording sound months after the initial shoot, and about his latest film Rose of Nevada, a mysterious tale of a long-lost fishing boat which returns to a Cornish port decades after disappearing, which stars Callum Turner and George Mackay.Presenter: Kirsty Wark Producer: Mark Crossan

Primavera, a new film about Vivaldi tells the story of his composing for pupils of an institution for abandoned girls. We speak to the film's director Damiano Michieletto, better known as an award-winning opera director, about his film and about Vivaldi himself. The Music is Black is the inaugural exhibition at London’s new V&A East Museum and it celebrates 125 years of Black British music. Lead curator Jacqueline Springer joins us to discuss the show and wealth of music it showcases, from the early days of jazz via calypso, reggae, two-tone, pop and grime. Ben Lerner, the Pulitzer-nominated author of Leaving the Atocha Station and The Topeka School, discusses his latest novel Transcription; an exploration of loss, technology and “fiction”. The Schwarzman Centre for the Humanities in Oxford officially opens its doors next weekend. It combines seven academic faculties with performance spaces including the world’s first ‘Passivhaus’ concert hall, certifying its sustainability.Presenter: Tom Sutcliffe