Melvyn Bragg and guests discuss the outbreak of witch trials in Massachusetts in 1692-3, centred on Salem, which led to the execution of twenty people, with more dying in prison before or after trial. Some were men, including Giles Corey who died after being pressed with heavy rocks, but the majority were women. At its peak, around 150 people were suspected of witchcraft, including the wife of the governor who had established the trials. Many of the claims of witchcraft arose from personal rivalries in an area known for unrest, but were examined and upheld by the courts at a time of mass hysteria, belief in the devil, fear of attack by Native Americans and religious divisions.With Susan Castillo-Street
Harriet Beecher Stowe Professor Emerita of American Studies at King's College LondonSimon Middleton
Senior Lecturer in American History at the University of SheffieldAnd Marion Gibson
Professor of Renaissance and Magical Literatures at Exeter University, Penryn Campus.Producer: Simon Tillotson.
Kultur & Gesellschaft
In Our Time: History Folgen
Historical themes, events and key individuals from Akhenaten to Xenophon.
Folgen von In Our Time: History
226 Folgen
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Folge vom 26.11.2015The Salem Witch Trials
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Folge vom 12.11.2015The Battle of LepantoMelvyn Bragg and guests discuss The Battle of Lepanto, 1571, the last great sea battle between galleys, in which the Catholic fleet of the Holy League of principally Venice, Spain, the Papal States, Malta, Genoa, and Savoy defeated the Ottoman forces of Selim II. When much of Europe was divided over the Reformation, this was the first major victory of a Christian force over a Turkish fleet. The battle followed the Ottoman invasion of Venetian Cyprus and decades in which the Venetians had been trying to stop the broader westward expansion of the Ottomans into the Mediterranean. The outcome had a great impact on morale in Europe and Pope Pius V established a feast day of Our Lady of Victory. Some historians call it the most significant sea battle since Actium (31 BC). However, the Ottomans viewed the loss as less significant than their victory in Cyprus and, within two years, the Holy League had broken up.WithDiarmaid MacCulloch Professor of the History of the Church at the University of OxfordKate Fleet Director of the Skilliter Centre for Ottoman Studies and Fellow of Newnham College, University of CambridgeAndNoel Malcolm A Senior Research Fellow in History at All Soul's College, University of Oxford Producer: Simon Tillotson.
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Folge vom 29.10.2015The Empire of MaliMelvyn Bragg and guests discuss the Empire of Mali which flourished from 1200 to 1600 and was famous in the wider world for the wealth of rulers such as Mansa Musa. Mali was the largest empire in west Africa and for almost 400 years controlled the flow of gold from mines in the south up to the Mediterranean coast and across to the Middle East. These gold mines were the richest known deposits in the 14th Century and produced around half of the world's gold. When Mansa Musa journeyed to Cairo in 1324 as part of his Hajj, he distributed so much gold that its value depreciated by over 10%. Some of the mosques he built on his return survive, albeit rebuilt, such as the UNESCO World Heritage Site of the Great Mosque of Djenne. With Amira Bennison Reader in the History and Culture of the Maghrib at the University of CambridgeMarie Rodet Senior Lecturer in the History of Africa at SOASAndKevin MacDonald Professor of African Archaeology Chair of the African Studies Programme at University College, London Producer: Simon Tillotson.
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Folge vom 15.10.2015Holbein at the Tudor CourtMelvyn Bragg and guests discuss the life and work of Hans Holbein the Younger (1497-1543) during his two extended stays in England, when he worked at the Tudor Court and became the King's painter. Holbein created some of the most significant portraits of his age, including an image of Henry VIII, looking straight at the viewer, hands on hips, that has dominated perceptions of him since. The original at Whitehall Palace was said to make visitors tremble at its majesty. Holbein was later sent to Europe to paint the women who might be Henry's fourth wife; his depiction of Anne of Cleves was enough to encourage Henry to marry her, a decision Henry quickly regretted and for which Thomas Cromwell, her supporter, was executed. His paintings still shape the way we see those in and around the Tudor Court, including Cromwell, Thomas More, the infant Prince Edward (of which there is a detail, above), The Ambassadors and, of course, Henry the Eighth himself.WithSusan Foister Curator of Early Netherlandish, German and British Painting at the National GalleryJohn Guy A fellow of Clare College, University of CambridgeAndMaria Hayward Professor of Early Modern History at the University of SouthamptonProducer: Simon Tillotson.