Melvyn Bragg and guests discuss Renaissance Astrology. In Act I Scene II of King Lear, the ne’er do well Edmund steps forward and rails at the weakness and cynicism of his fellow men:This is the excellent foppery of the world, that,when we are sick in fortune, - often the surfeitof our own behaviour, - we make guilty of ourdisasters the sun, the moon, and the stars: asif we were villains by necessity.The focus of his attack is astrology and the credulity of those who fall for its charms. But the idea that earthly life was ordained in the heavens was essential to the Renaissance understanding of the world. The movements of the heavens influenced many things from the practice of medicine to major political decisions. Every renaissance court had its astrologer including Elizabeth Ist and the mysterious Dr. John Dee who chose the most propitious date for her coronation. But astrologers also worked in the universities and on the streets, reading horoscopes, predicting crop failures and rivalling priests and doctors as pillars of the local community. But why did astrological ideas flourish in the period, how did astrologers interpret and influence the course of events and what new ideas eventually brought the astrological edifice tumbling down? With Peter Forshaw, Lecturer in Renaissance Philosophies at Birkbeck, University of London; Lauren Kassell, Lecturer in the History and Philosophy of Science at the University of Cambridge; and Jonathan Sawday, Professor of English Studies at the University of Strathclyde.
Wissenschaft & Technik
In Our Time: Science Folgen
Scientific principles, theory, and the role of key figures in the advancement of science.
Folgen von In Our Time: Science
293 Folgen
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Folge vom 14.06.2007Renaissance Astrology
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Folge vom 17.05.2007Gravitational WavesMelvyn Bragg and guests discuss mysterious phenomena called Gravitational Waves in contemporary physics. The rather un-poetically named star SN 2006gy is roughly 150 times the size of our sun. Last week it went supernova, creating the brightest stellar explosion ever recorded. But among the vast swathes of dust, gas and visible matter ejected into space, perhaps the most significant consequences were invisible – emanating out from the star like the ripples from a pebble thrown into a pond. They are called Gravitational Waves, predicted by Einstein and much discussed since, their existence has never actually been proved but now scientists may be on the verge of measuring them directly. To do so would give us a whole new way of seeing the cosmos. But what are gravitational waves, why are scientists trying to measure them and, if they succeed, what would a gravitational picture of the universe look like?With Jim Al-Khalili, Professor of Physics at the University of Surrey; Carolin Crawford, Royal Society Research Fellow at the Institute of Astronomy, Cambridge; Sheila Rowan, Professor in Experimental Physics in the Department of Physics and Astronomy at the University of Glasgow
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Folge vom 19.04.2007SymmetryMelvyn Bragg and guests discuss symmetry. Found in Nature - from snowflakes to butterflies - and in art in the music of Bach and the poems of Pushkin, symmetry is both aesthetically pleasing and an essential tool to understanding our physical world. The Greek philosopher Aristotle described symmetry as one of the greatest forms of beauty to be found in the mathematical sciences, while the French poet Paul Valery went further, declaring; “The universe is built on a plan, the profound symmetry of which is somehow present in the inner structure of our intellect”.The story of symmetry tracks an extraordinary shift from its role as an aesthetic model - found in the tiles in the Alhambra and Bach's compositions - to becoming a key tool to understanding how the physical world works. It provides a major breakthrough in mathematics with the development of group theory in the 19th century. And it is the unexpected breakdown of symmetry at sub-atomic level that is so tantalising for contemporary quantum physicists.So why is symmetry so prevalent and appealing in both art and nature? How does symmetry enable us to grapple with monstrous numbers? And how might symmetry contribute to the elusive Theory of Everything?With Fay Dowker, Reader in Theoretical Physics at Imperial College, London; Marcus du Sautoy, Professor of Mathematics at the University of Oxford; Ian Stewart, Professor of Mathematics at the University of Warwick.
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Folge vom 29.03.2007AnaestheticsMelvyn Bragg and guests discuss the history of anaesthetics, from laughing gas in the 1790s to the discovery of “blessed chloroform”. Remembering his unsuccessful stint at Edinburgh Medical school Charles Darwin described the horrors of surgery before anaesthetics : "I attended the operating theatre and saw two very bad operations... but I rushed away before they were completed. Nor did I ever attend again, for hardly any inducement would have been strong enough to make me do so; this being long before the blessed days of chloroform. The two cases fairly haunted me for many a long year."The suffering Darwin witnessed is almost unimaginable. In the 19th Century, a simple fracture often led to amputation carried out on a conscious patient, whose senses would be dulled only by brandy or perhaps some morphine. Many patients died of shock.The properties of gases like nitrous oxide or “laughing gas” held out hope. The chemist Humphrey Davy in the 1790s described it as “highly pleasurable, thrilling”. He also noticed his toothache disappeared. But he failed to apply his observations and it wasn't until the 1840s that there was a major breakthrough in anaesthetics, when an enterprising dentist in Boston managed to anaesthetize a patient with ether. It became known as the “Yankee Dodge”. Ether had its drawbacks and the search for a suitable alternative continued until chloroform was tried in 1847, winning many admirers including Queen Victoria, the first English royal to use it. So why did it take so long for inhaled gases to advance from providing merely recreational highs to providing an essential tool of humane surgery? What role did the development of the atomic bomb play in the development of anaesthetics? And how have society's changing attitudes to pain informed the debate?With David Wilkinson, Consultant Anaesthetist at St Bartholomew’s Hospital in London and President of the History of Anaesthesia Society; Stephanie Snow, Research Associate at the Centre for the History of Science, Technology & Medicine at the University of Manchester; Anne Hardy, Professor in the History of Modern Medicine at University College London