In Our Time With Melvyn Bragg Folgen

Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world? With Eleanor Robson, historian of Ancient Iraq and Fellow of All Souls College, Oxford; Alan Millard, Rankin Professor Emeritus of Hebrew and Ancient Semitic Languages at the University of Liverpool; Rosalind Thomas, Professor of Greek History at Royal Holloway, University of London.

Melvyn Bragg and guests discuss the history of the Devil. In the Gospel according to John he is ‘a murderer from the beginning’, ‘a liar and the father of lies’, and Dante calls him ‘the ill Worm that pierces the world’s core’. But Milton’s description of him as a powerful rebel was so attractive that William Blake declared that Milton was ‘of the Devil’s party, without knowing it’. To ordinary folk the Devil has often been regarded as a trickster, a tempter, sometimes even a figure of fun rather than of fear. How did this contradictory character come into being? Why did it take so long for him to become an established figure in Christianity? And if the Devil did not exist, would we have had to invent him? With Martin Palmer, theologian and Director of the International Consultancy on Religion, Education and Culture; Alison Rowlands, Senior Lecturer in European History at the University of Essex; David Wootton, Professor of Intellectual History at Queen Mary, University of London.

Melvyn Bragg and guests discuss the life, work and legacy of Ludwig Wittgenstein. There is little doubt that he was a towering figure of the twentieth century; on his return to Cambridge in 1929 Maynard Keynes wrote, “Well, God has arrived. I met him on the 5:15 train”.Wittgenstein is credited with being the greatest philosopher of the modern age, a thinker who left not one but two philosophies for his descendents to argue over: The early Wittgenstein said, “the limits of my mind mean the limits of my world”; the later Wittgenstein replied, “If God looked into our minds he would not have been able to see there whom we were speaking of”. Language was at the heart of both. Wittgenstein stated that his purpose was to finally free humanity from the pointless and neurotic philosophical questing that plagues us all. As he put it, “To show the fly the way out of the fly bottle”.How did he think language could solve all the problems of philosophy? How have his ideas influenced contemporary culture? And could his thought ever achieve the release for us that he hoped it would?With Ray Monk, Professor of Philosophy at the University of Southampton and author of Ludwig Wittgenstein: The Duty of Genius; Barry Smith, Lecturer in Philosophy at Birkbeck, University of London; Marie McGinn, Senior Lecturer in Philosophy at the University of York.