In Our Time With Melvyn Bragg Folgen

Melvyn Bragg and guests discuss the legendary wizard Merlin. He was sired by an incubus and born of a virgin; he was a prophet, a shape-shifter, a king-maker and a mad man of the woods. Before Gandalf there was Merlin: the power behind Arthur and a literary sensation for centuries. In a literary career spanning 1500 years, Merlin, or originally Myrddin, put the sword in the stone, built Stonehenge, knew the truth behind the Holy Grail and discovered the Elixir of Life. "Beware Merlin for he knows all things by the devil's craft" say the poisoners in Malory's Morte D'Arthur; but he is also on the side of the good and is almost Christ-like in some of the versions of his tale, and his prophesies were pored over by the medieval Church. Who was Merlinus Ambrosius, as he is sometimes known? Where does his legend spring from and how has it been appropriated and adapted over time?With Juliette Wood, Associate Lecturer in the Department of Welsh at Cardiff University, Stephen Knight, Distinguished Research Professor in English Literature at Cardiff University, Peter Forshaw, Lecturer in Renaissance Philosophies at Birkbeck, University of London.

Melvyn Bragg and guests discuss the KT Boundary. Across the entire planet, where it hasn't been eroded or destroyed in land movements, there is a thin grey line. In Italy it is 1 cm thick, in America it stretches to three centimetres, but it is all the same thin grey line laid into the rock some 65 million years ago and it bears witness to a cataclysmic event experienced only once in Earth's history. It is called the KT Boundary and geologists believe it is the clue to the death of the dinosaurs and the ultimate reason why mammals and humans inherited the Earth.But exactly what did happen 65 million years ago? How was this extraordinary line created across the Earth and does it really hold the key to the death of the dinosaurs?With Simon Kelley, Head of Department in the Department of Earth Sciences, Open University, Jane Francis, Professor of Palaeoclimatology, University of Leeds; Mike Benton, Professor of Vertebrate Palaeontology in the Department of Earth Sciences, University of Bristol.

Melvyn Bragg and guests discuss paganism in the Renaissance. For hundreds of years in the Middle Ages, the only way to read Ovid was through the prism of a Christian moralising text. Ovid's sensual tales of metamorphosis and pagan gods were presented as veiled allegories, and the famous story of Zeus descending to Danae in a shower of gold was explained as the soul receiving divine illumination. But in 1478 Botticelli finished Primavera, the first major project on a mythological theme for a thousand years, and by 1554 Titian completed a very different version of Danae - commissioned by a Cardinal, no less - where she expectantly awaits her union with Zeus in what is a nakedly sexual pose. What happened to bring the myths and eroticism of antiquity back into the culture of Europe? And how was it possible for a Church that was prosecuting for heresy, to exalt in pagan imagery, even in the Vatican itself?With Tom Healy, Professor of Renaissance Studies, Birkbeck College, University of London; Charles Hope, Director of the Warburg Institute and Professor of the History of the Classical Tradition, University of London; Evelyn Welch, Professor of Renaissance Studies at Queen Mary, University of London.