In Our Time With Melvyn Bragg Folgen

Melvyn Bragg and guests discuss the Lindisfarne Gospels. In 597 Pope Gregory the Great ordered that a mission of monks be sent from Rome to convert Britain to its own brand of Christianity - lest it be submerged by the pagan beliefs of the Anglo-Saxon overlords. Just over 100 years later, the Lindisfarne Gospels were produced - lavish and ornate manuscripts, central to the story of how Britain came to be unified by the flag of the Roman Church – and they came to embody a set of beliefs and ideas that dominated Britain for a thousand years. Was the Rome mission in the 6th century the only strand of Christianity to sweep through Britain? Why did Northumbria become a key battleground for ideological dispute? How successful were the Lindisfarne Gospels in unifying the different strands of Christianity? To what extent did they serve as a founding statement of Christian identity in Britain?With Dr Michelle Brown, Curator of Illuminated Manuscripts at the British Library and author of A Guide to Western Historical Scripts: From Antiquity to 1600; Dr Richard Gameson, Reader in Medieval History at Kent University and editor of St Augustine and the Conversion of England; Professor Clare Lees, Professor of Medieval Literature at King's College London and author of Tradition and Belief: Religious Writing in Late Anglo-Saxon England.

Melvyn Bragg and guests discuss the theories of a grand design in the universe. The late evolutionary biologist Stephen Jay Gould argued that if you re-ran the tape of evolutionary history, an entirely different set of creatures would emerge. Man would not exist because the multitude of random changes that resulted in us would never be repeated exactly the same way. Others disagree, arguing that there is a pattern that points to some kind of direction – even, perhaps, a design, a sense that some things are pre-ordained. Who were the original proponents of the idea of a grand design? Were they deliberately setting out to find a scientific theory that could sit alongside religious faith? On the other hand, can the concept of contingency – or the randomness of evolution - be compatible with a belief in God? With Simon Conway Morris, Professor of Evolutionary Palaeobiology at Cambridge University and author of The Crucible of Creation – the Burgess Shale and the Rise of Animals; Sandy Knapp, botanist at the Natural History Museum; John Brooke, Andreas Idreos Professor of Science and Religion at Oxford University.

Melvyn Bragg and guests discuss the history of the epic. In his essay 'Why the novel matters', DH Lawrence argued that the novel contained all aspects of life. Perhaps better placed to make that claim is the epic. From tackling questions of identity, history, warfare, mortality and the ways of the Gods to narrating tales of magic and supernatural creatures, it was the Greek and Roman poems of Homer and Virgil that underpinned and explained the position of men in the world. And it was these narratives of heroic actions and grand deeds that were to form a template from which many future epics would be constructed from Chaucer's Troilus and Cressayde to Milton’s Paradise Lost. But who are the heroes of these epics? To what extent was the classical epic a political project, a means of creating a founding myth for empire? How did the Renaissance revive the form and how successful were writers such as Milton in rendering the Christian story an epic? And what does the novel owe to the epic?With, John Carey, Emeritus Professor of English Literature at Oxford University; Karen Edwards, Lecturer in English at Exeter University; Oliver Taplin, Professor of Classical Languages and Literature at the University of Oxford.