In Our Time With Melvyn Bragg Folgen

For some time, in some intellectual quarters in the West, Vladimir Ilich Ulyanov - also known as Lenin - was regarded as an understandable revolutionary, perhaps a necessary revolutionary given the actions of the Tsars, certainly a sympathetic revolutionary compared with his successor - Stalin. He became an icon in Russia - his body unburied, lying in Red Square in a state of permanent, imminent resurrection. The Russian Presidential Elections take place at the end of the month, and the Acting President, Vladimir Putin, promised that if he won he would finally take the body of Lenin from Red Square and bury him. But whether the country will be able to escape the extraordinary influence of the man, his ideas and his machinery of oppression is another matter. In his short period in power between 1917 and 1924 Vladimir Illyich Lenin invented the one party state, developed a model to export communism around the world and built a completely original political system that remained intact for over seventy years. What drove him and enabled him to achieve success?Robert Service, lecturer in Russian History and Fellow of St Anthony’s College, Oxford and biographer of Lenin; Vitali Vitaliev, author, columnist, broadcaster former Soviet Journalist of the Year.

Melvyn Bragg examines the spread of religious doubt over the last three centuries. Nietzsche proclaimed that God was Dead in 1882, Hegel in fact beat him to it apprising his Berlin students of God’s demise as early as 1827. By the end of the 19th century echoes of the death of God can be heard everywhere: in the revolutionary politics of Lenin, in the poetry of Tennyson and the psychoanalysis of Freud. The march of Science seemed to challenge the authority of the Bible at every turn and by the twentieth century almost all the great writers, artists and intellectuals had abandoned the certainty of their belief in God.So who or what was responsible for this sudden spread of religious doubt? If God could truly be said to be dead then who fired the first shot? Have we educated ourselves out of Christ only to embrace the bleaker creed of Mamon? Is God a human construct or did God construct us? Is there an argument from design, or was the Big Bang morally pointless, without what we could call a mind at all? Did Darwin and natural selection rebut the idea of a divine purpose? With A N Wilson, novelist, biographer, journalist and author of God’s Funeral; Victoria Glendinning, author, journalist and biographer of Anthony Trollope and Jonathan Swift.

Melvyn Bragg and guests discuss the Roman poet Ovid and explore the theme of metamorphosis from the transformation of Narcissus to the bug of Kafka’s story, and beyond. Ovid wrote at the beginning of The Metamorphoses - in Ted Hughes’ wonderful version - “now I am ready to tell how bodies are changed/Into different bodies/I summon the supernatural beings/who first contrived/The transmogrifications/In the stuff of life./You did it for your own amusement./Descend again, be pleased to reanimate/this revival of those marvels.”And descend they did: The metamorphoses is an extraordinarily wide sweep through the teeming, changing world of Roman and Greek mythology.The tales were immensely popular in their own day, they were an inspiration to Chaucer, Ovid was Shakespeare’s favourite poet, and two thousand years after they were written the stories of shape changing still seem relevant: Ted Hughes won the Whitbread Book of the Year with his translation of Tales from Ovid in 1997, and a new collection called Ovid Metamorphosed has garnered versions of the tales from authors and poets from all over the world.With A S Byatt, novelist and one of the contributors to Ovid Metamorphosed; Dr Catherine Bates, critic and Research Fellow, University of Warwick.