In Our Time With Melvyn Bragg Folgen

Melvyn Bragg and guests discuss the Enlightenment. In Germany it's called Aufklarung, in France it's the Siecle De Lumieres, and in Britain it's called the Age of Enlightenment. It's the period around the eighteenth century when an intellectual movement committed to science and opposed to superstition, embraced the greatest minds of Europe and America; Descartes, Kant, Leibniz, Montesquie, Diderot, Voltaire, Thomas Jefferson, Benjamin Franklin. But where are all the British thinkers? According to the Encyclopaedia Britannica, 'ideas concerning God, reason, nature and man were synthesised into a world view that gained wide assent and that instigated revolutionary developments in art, philosophy and politics'. Some historians in the past have claimed that The Enlightenment passed these islands by, but in his new book Enlightenment: Britain and The Creation of The Modern World, Roy Porter says The Enlightenment was British first, and that the modern world started here. With Roy Porter, Professor in the Social History of Medicine, Wellcome Trust Centre of University College London, Linda Colley, Leverhulme Research Professor and School Professor of History, London School of Economics; Jeremy Black, Professor of History at Exeter University.

Melvyn Bragg looks at the deep claims made for mathematics, the discipline some believe to be the soul and true key to the understanding of all life, from the petals on the sunflower to the pulse in our wrists. The notion that mathematics is akin to theology might take some taking in at first. But from the first, in the West, they were. To Pythagoras, numbers were mystical and “prove” God. To Plato, who, it is claimed, has driven mathematics for over two thousand years, the ideals beyond the reality of our lives are to be found in mathematical perfections, immutable truth, God again in numbers. Are mathematics there in the universe, waiting to be discovered as the great ocean lying before Newton - or are they constructs applied by us to the universe and imposed rather than uncovered? It’s a long way from chalky sums on the blackboard and the first careless swing of the compass. Galilei Galileo wrote, “The Universe cannot be read until we have learnt the language and become familiar with the characters in which it was written. It is written in mathematical language, and the letters are triangles, circles and other geometrical figures, without which means it is humanly impossible to comprehend a single word”. But is he right that mathematics is the script in which the universe was written, or is it really just one of many possible systems that humankind has invented to interpret our world? Is mathematics is a process of invention or a voyage of discovery?With Ian Stewart, Professor of Mathematics and Gresham Professor of Geometry, University of Warwick; Margaret Wertheim, science writer, journalist and author of Pythagoras’ Trousers; John D Barrow, Professor of Applied Mathematics and Theoretical Physics, University of Cambridge.

Horace Walpole and then Anne Radcliffe appeared to have triggered an anti-enlightenment movement: the Gothic that swept in Coleridge, two Shelleys, Byron, the Brontés, Walter Scott and Dickens, innumerable painters and architects, and even designed the Palace of Westminster itself.In 1765 Horace Walpole bewitched an unprepared public with the first ever Gothic novel The Castle of Ottranto. The poet Thomas Gray complained the novel made him “afraid to go to bed o’ nights”, and wind swept battlements, mysterious apparitions and armour that goes clang in the night has haunted the dungeons of popular culture ever since. But Gothic is more that novels, and from under its swirling cassock the Gothic Revival in architecture became the state style for an Empire, and the high camp of The Monk reached the acme of seriousness under the influence of John Ruskin. So how did the Gothic style manage to both sensationalise the public and form, quite literally the pillars of the establishment? Any why does a style forged in the spectral shadows of the Ages of Enlightenment still hold so such a secure position in popular culture today.With Chris Baldick, Professor of English at Goldsmiths College, London and author of In Frankenstein’s Shadow; A N Wilson, novelist, biographer, journalist and author of God’s Funeral; Emma Clery, senior lecturer in the English Department at Sheffield Hallam University and author of The Rise of Supernatural Fiction.