In Our Time With Melvyn Bragg Folgen

Melvyn Bragg and guests discuss one of Shakespeare’s greatest tragedies. When three witches prophesy that Macbeth will be king one day, he is not prepared to wait and almost the next day he murders King Duncan as he sleeps, a guest at Macbeth’s castle. From there we explore their brutal world where few boundaries are distinct – between safe and unsafe, friend and foe, real and unreal, man and beast – until Macbeth too is slaughtered.The image above shows Nicol Williamson as Macbeth in a 1983 BBC TV adaptation.With:Emma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordKiernan Ryan Emeritus Professor of English Literature at Royal Holloway, University of LondonAnd David Schalkwyk, Professor of Shakespeare Studies and Director of Global Shakespeare at Queen Mary, University of LondonProducer: Simon Tillotson

Melvyn Bragg and guests discuss ideas about the Stone Age people who created the extraordinary images found in caves around the world, from hand outlines to abstract symbols to the multicoloured paintings of prey animals at Chauvet and, as shown above, at Lascaux. In the 19th Century, it was assumed that only humans could have made these, as Neanderthals would have lacked the skills or imagination, but new tests suggest otherwise. How were the images created, were they meant to be for private viewing or public spaces, and what might their purposes have been? And, if Neanderthals were capable of creative work, in what ways were they different from humans? What might it have been like to experience the paintings, so far from natural light? With Alistair Pike Professor of Archaeological Sciences at the University of SouthamptonChantal Conneller Senior Lecturer in Early Pre-History at Newcastle UniversityAndPaul Pettitt Professor of Palaeolithic Archaeology at Durham UniversityProducer: Simon Tillotson

Melvyn Bragg and guests discuss Pericles (495-429BC), the statesman who dominated the politics of Athens for thirty years, the so-called Age of Pericles, when the city’s cultural life flowered, its democracy strengthened as its empire grew, and the Acropolis was adorned with the Parthenon. In 431 BC he gave a funeral oration for those Athenians who had already died in the new war with Sparta which has been celebrated as one of the greatest speeches of all time, yet within two years he was dead from a plague made worse by Athenians crowding into their city to avoid attacks. Thucydides, the historian, knew him and was in awe of him, yet few shared that view until the nineteenth century, when they found much in Pericles to praise, an example for the Victorian age. With Edith Hall Professor of Classics at King's College London.Paul Cartledge AG Leventis Senior Research Fellow at Clare College, University of CambridgeAnd Peter Liddel Senior Lecturer in Ancient History at the University of ManchesterProducer: Simon Tillotson