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In Our Time

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Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world. History fans can learn about pivotal wars and societal upheavals, such as the rise and fall of Napoleon, the Sack of Rome in 1527, and the political intrigue of the Russian Revolution. Those fascinated by the lives of kings and queens can journey to Versailles to meet Marie Antoinette and Louis XIV the Sun King, or to Ancient Egypt to meet Cleopatra and Nefertiti. Or perhaps you're looking to explore the history of religion, from Buddhism's early teachings to the Protestant Reformation. If you're interested in the stories behind iconic works of art, music and literature, dive in to discussions on the artistic genius of Michelangelo's Sistine Chapel and Van Gogh's famous Sunflowers. From Gothic architecture to the works of Shakespeare, each episode of In Our Time offers new insight into humanity's cultural achievements. Those looking to enrich their scientific knowledge can hear episodes on black holes, the Periodic Table, and classical theories of gravity, motion, evolution and relativity. Learn how the discovery of penicillin revolutionised medicine, and how the death of stars can lead to the formation of new planets. Lovers of philosophy will find episodes on the big issues that define existence, from free will and ethics, to liberty and justice. In what ways did celebrated philosophers such as Mary Wollstonecraft and Karl Marx push forward radical new ideas? How has the concept of karma evolved from the ancient Sanskrit texts of Hinduism to today? What was Plato's concept of an ideal republic, and how did he explore this through the legend of the lost city of Atlantis? In Our Time celebrates the pursuit of knowledge and the enduring power of ideas.

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Folgen von In Our Time

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  • Folge vom 10.12.2020
    John Wesley and Methodism
    Melvyn Bragg and guests discuss John Wesley (1703 - 1791) and the movement he was to lead and inspire. As a student, he was mocked for approaching religion too methodically and this jibe gave a name to the movement: Methodism. Wesley took his ideas out across Britain wherever there was an appetite for Christian revival, preaching in the open, especially the new industrial areas. Others spread Methodism too, such as George Whitefield, and the sheer energy of the movement led to splits within it, but it soon became a major force. With Stephen Plant Dean and Runcie Fellow at Trinity Hall at the University of CambridgeEryn White Reader in Early Modern History at Aberystwyth UniversityAnd William Gibson Professor of Ecclesiastical History at Oxford Brookes University and Director of the Oxford Centre for Methodism and Church HistoryProduced by Simon Tillotson and Julia Johnson
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  • Folge vom 03.12.2020
    Fernando Pessoa
    Melvyn Bragg and guests discuss the Portuguese poet Pessoa (1888-1935) who was largely unknown in his lifetime but who, in 1994, Harold Bloom included in his list of the 26 most significant western writers since the Middle Ages. Pessoa wrote in his own name but mainly in the names of characters he created, each with a distinctive voice and biography, which he called heteronyms rather than pseudonyms, notably Ricardo Reis, Alberto Caeiro, Álvaro de Campos and one who was closer to Pessoa's own identity, Bernardo Soares. Most of Pessoa's works were unpublished at his death, discovered in a trunk; as more and more was printed and translated, his fame and status grew.WithCláudia Pazos-Alonso Professor of Portuguese and Gender Studies and Senior Research Fellow at Wadham College, University of OxfordJuliet Perkins Visiting Senior Research Fellow in Portuguese Studies at King’s College LondonAndPaulo de Medeiros Professor of English and Comparative Literary Studies at the University of WarwickProducer: Simon Tillotson
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  • Folge vom 26.11.2020
    The Zong Massacre
    Melvyn Bragg and guests discuss the notorious events off Jamaica in 1781 and their background. The British slave ship Zong, having sailed across the Atlantic towards Jamaica, threw 132 enslaved Africans from its human cargo into the sea to drown. Even for a slave ship, the Zong was overcrowded; those murdered were worth more to the ship dead than alive. The crew said there was not enough drinking water to go round and they had no choice, which meant they could claim for the deaths on insurance. The main reason we know of this atrocity now is that the owners took their claim to court in London, and the insurers were at first told to pay up as if the dead slaves were any other lost goods, not people. Abolitionists in Britain were scandalised: if courts treated mass murder in the slave trade as just another business transaction and not a moral wrong, the souls of the nation would be damned. But nobody was ever prosecuted.The image above is of sailors throwing slaves overboard, from Torrey's 'American Slave Trade', 1822WithVincent Brown Charles Warren Professor of American History and Professor of African and African American Studies at Harvard UniversityBronwen Everill Class of 1973 Lecturer in History and Fellow at Gonville & Caius College, University of CambridgeAnd Jake Subryan Richards Assistant Professor of History at the London School of EconomicsStudio production: Hannah Sander Producer: Simon Tillotson
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  • Folge vom 12.11.2020
    Albrecht Dürer
    Melvyn Bragg and guests discuss the great German artist Albrecht Dürer (1471-1528) who achieved fame throughout Europe for the power of his images. These range from his woodcut of a rhinoceros, to his watercolour of a young hare, to his drawing of praying hands and his stunning self-portraits such as that above (albeit here in a later monochrome reproduction) with his distinctive A D monogram. He was expected to follow his father and become a goldsmith, but found his own way to be a great artist, taking public commissions that built his reputation but did not pay, while creating a market for his prints, and he captured the timeless and the new in a world of great change.With Susan Foister Deputy Director and Curator of German Paintings at the National GalleryGiulia Bartrum Freelance art historian and Former Curator of German Prints and Drawings at the British MuseumAndUlinka Rublack Professor of Early Modern European History and Fellow of St John’s College, University of CambridgeStudio production: John Goudie
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