In Our Time Folgen

After 27 years, Melvyn Bragg has decided to step down from the In Our Time presenter’s chair. With over a thousand episodes to choose from, he has selected just six that capture the huge range and depth of the subjects he and his experts have tackled. In this fourth of his choices, we hear Melvyn Bragg and his guests discuss bird migration. Their topic includes why some birds migrate and others do not, how they select their destinations and how they navigate the great distances, often over oceans. For millennia, humans set their calendars to birds' annual arrivals, and speculated about what happened when they departed, perhaps moving deep under water, or turning into fish or shellfish, or hibernating while clinging to trees upside down. Ideas about migration developed in C19th when, in Germany, a stork was noticed with an African spear in its neck, indicating where it had been over the winter and how far it had flown. Today there are many ideas about how birds use their senses of sight and smell, and magnetic fields, to find their way, and about why and how birds choose their destinations and many questions. Why do some scatter and some flock together, how much is instinctive and how much is learned, and how far do the benefits the migrating birds gain outweigh the risks they face?With Barbara Helm Reader at the Institute of Biodiversity, Animal Health and Comparative Medicine at the University of GlasgowTim Guilford Professor of Animal Behaviour and Tutorial Fellow of Zoology at Merton College, Oxfordand Richard Holland Senior Lecturer in Animal Cognition at Bangor UniversityProducer: Simon Tillotson In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world

Is it always better to be just than unjust? That is the central question of Plato's Republic, discussed here by Melvyn Bragg and guests. Writing in c380BC, Plato applied this question both to the individual and the city-state, considering earlier and current forms of government in Athens and potential forms, in which the ideal city might be ruled by philosophers. The Republic is arguably Plato's best known and greatest work, a dialogue between Socrates and his companions, featuring the allegory of the cave and ideas about immortality of the soul, the value of poetry to society, and democracy's vulnerability to a clever demagogue seeking tyranny.With Angie Hobbs Professor of the Public Understanding of Philosophy at the University of SheffieldMM McCabe Professor of Ancient Philosophy Emerita at King's College LondonandJames Warren Fellow of Corpus Christi College and a Reader in Ancient Philosophy at the University of Cambridge Producer: Simon Tillotson.

Melvyn Bragg and guests discuss Alexander Pushkin's verse novel, the story of Eugene Onegin, widely regarded as his masterpiece. Pushkin (pictured above) began this in 1823 and worked on it over the next ten years, while moving around Russia, developing the central character of a figure all too typical of his age, the so-called superfluous man. Onegin is cynical, disillusioned and detached, his best friend Lensky is a romantic poet and Tatyana, whose love for Onegin is not returned until too late, is described as a poetic ideal of a Russian woman, and they are shown in the context of the Russian landscape and society that has shaped them. Onegin draws all three into tragic situations which, if he had been willing and able to act, he could have prevented, and so becomes the one responsible for the misery of himself and others as well as the death of his friend.With Andrew Kahn Professor of Russian Literature at the University of Oxford and Fellow of St Edmund HallEmily Finer Lecturer in Russian and Comparative Literature at the University of St Andrewsand Simon Dixon The Sir Bernard Pares Professor of Russian History at University College LondonProducer: Simon Tillotson.