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Seriously is home to the world’s best audio documentaries and podcast recommendations. Introduced by Vanessa Kisuule. This feed is no longer being updated. Thanks for listening.

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  • Folge vom 09.02.2016
    Jarvis on McCullers
    The writing of Carson McCullers has perhaps never been as popular or acclaimed as that of contemporaries such as Harper Lee and Tennessee Williams, but nonetheless she remains one of the most remarkable and individual writers to come out of twentieth century America. She only wrote a few works, in large part because rheumatic fever left her paralysed in her left arm, and she was beset by ill health and alcoholism for many of her fifty years. Her writing style was enormously sensuous, filled with the heat, sounds and smells of the American south, and the characters who populated books like 'The Ballad of the Sad Cafe', 'The Heart is a Lonely Hunter' and 'A Member of the Wedding' were most commonly troubled misfits. Her personal life was similarly idiosyncratic - the man she married twice committed suicide having tried to get her to do the same - though it is her very particular writing style, with a strong musicality drawn from the years she spent training as a classical pianist, that has made many of her fans so vociferous in their attachment to her. Jarvis Cocker hears from a number of them, including academic Carlos Dews, author Laura Barton and musician Suzanne Vega, who has not only written and starred in three versions of a play about Carson, but often feels herself to be in conversation with her spirit. Jarvis explains his own personal devotion, explaining how Carson's ability to bypass the brain and connect straight to the heart is what makes her such an important figure to him.
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  • Folge vom 05.02.2016
    Gay Bombay
    Why is homosexuality still illegal in the world's so-called largest democracy? In his celebrated family memoir 'And All is Said', historian Dr Zareer Masani made no bones about his own homosexuality and the problems it posed growing up in the India of the 1950s and '60s. Much seemed to have changed in the intervening half century. But with a renewed Hindu nationalism dominant in both political and cultural life, Zareer returns to Mumbai (formerly Bombay) to find out whether growing acceptance of gay rights is being put in reverse. Attempts were made in the recent past to overthrow an old colonial law making homosexuality a crime punishable by life imprisonment. The Delhi High Court held that this section of India's criminal law was unconstitutional; but that decision was overturned by India's Supreme Court two years ago. Zareer asks Justice Shah, who gave the earlier, landmark judgement decriminalising homosexuality, whether its liberal impact can really be reversed. He talks to the various gay and lesbian groups who are active in Mumbai, and to prominent, openly gay individuals like Mr Gay India 2014. Zareer returns to Bombay's elite Anglican school where he once suffered homophobic bullying. And he spends a day with the amazing Humsafar Trust, that provides everything from HIV treatment to counselling and legal advocacy for LGBT men and women outside Bombay's affluent, liberal middle class bubble. In his youth, Zareer found it impossible to live an openly gay life in the country of his birth. This programme is his journey back home to find out whether the liberalisation he's observed during his lifetime has now been halted by the moral policing of governments and religious extremists. Producer: Tom Alban.
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  • Folge vom 02.02.2016
    Herland
    In 1915 women could neither vote, divorce nor work after marriage, yet in that same year the American writer Charlotte Perkins Gilman envisaged a revolutionary world populated entirely by women who were intelligent, resourceful and brave. Her great science fiction novel Herland tells the story of three men who crash land on an island where the men have died out; women reproduce by parthenogenesis.Until Gilman's book was published, most visions of utopia, though turning the world on its head, struggled to envisage a place where gender had changed. Fantastical machines could be imagined alongside marvellous advances in medicine and technology, but the idea of woman functioning fully in the new utopias was too much for many to imagine.In this programme the award winning science fiction writer Geoff Ryman uses Herland as a starting point to ask why it's been so had to imagine a world where gender dissolves. In the course of the programme he will write his own short story, avoiding the pitfalls that have skewered many before him. The story No Point Talking is included in the podcast.Presenter: Geoff Ryman Producer: Nicola Swords Contributors: Stephanie Saulter, author of the Evolution Trilogy; Laurie Penny, writer and journalist; Dr Sari Edelstein, The President of the Charlotte Perkins Gilman Society; Sarah Le Fanu, former Senior Editor at The Women's Press; Dr Caitríona Ní Dhúill, author of Sex and Imagined Spaces; Sarah Hall, author of The Carhullan Army and The Wolf Border Original music composed by Scanner.
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  • Folge vom 26.01.2016
    Raising the Dead
    For the past few decades music teacher and pianist Francesco Lotoro has been collecting music written in concentration camps from the Second World War. Francesco's life is entirely given over to recovering the creations of composers and performers, many of them Jewish, who died in the camps. A massive amount of music was written in camps. Classical music by established composers, but also songs, symphonies, sonatas, operas, lullabies, jazz riffs often scribbled on old sacks, toilet paper or scratched into mess tins. Francesco has discovered works by important composers as Hans Krasa, the Czech creator of the masterpiece 'Brundibar', as well as Viktor Ullmann and Gideon Klein - all killed by the Nazis in 1944, but writing music until the very end. Composer Adam Gorb is head of composition at the Royal Northern College of Music in Manchester. Working closely with the BBC Philharmonic, Adam travels to Italy to meet Francesco and together they pick through his 8000 piece archive, much of which has never been heard before. In this special documentary, which broadcasts in the days running up to Holocaust Memorial Day, Adam Gorb returns to Britain with a piece of unfinished music written by Viktor Ullman before his death. This piece will be performed by the Philharmonic for the first time. Producer: Caitlin Smith.
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