Donald Trump's pledge to build a "big beautiful wall" along the US-Mexico border has inserted a political urgency into the mainstream art world and made the Latino experience a point of inspiration for many. Seven artists working on either side of the border wall, from the Pacific Ocean in the west to the Gulf of Mexico in the east, describe their work and how recent US immigration policy has helped to shape it. From music, to sculpture, virtual reality and performance art, the Art of Now explores the diverse artistic scene thriving along the 2000 miles border. Producer: Sarah Shebbeare
Kultur & GesellschaftTalk
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Folge vom 05.10.2018The Art of Now: Border Wall
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Folge vom 28.09.2018The Eternal Life of the Instant NoodleHow instant noodles, now 60 years old, went from a shed in Japan to global success. What is the most traded legal item in US prisons? Instant Noodles. According to the World Instant Noodles Association, 270 million servings of instant noodles are eaten around the world every day. Annually, that's 16 to 17 portions for every man, woman and child. At the turn of the millennium, a Japanese poll found that "The Japanese believe that their best invention of the twentieth century was instant noodles." The Taiwanese-Japanese man who invented them (Momofuku Ando) was convinced that real peace would only come when people have enough to eat. In the bleak wreckage of post-war Japan, he spent a year in a backyard hut, creating the world's most successful industrial food. Crucially, he wanted the noodles to be ready to eat in less than three minutes. That convenience has since become a selling point for noodles that are consumed by students, travellers and, yes, prisoners the world over. Instant noodles first went on sale in 1958, and they've changed little since. Sixty years on, Celia Hatton explores the story behind instant noodles. It's a journey that starts in Japan, at the nation's instant noodle museum, and then takes her to China, still the world's number one market for "convenient noodles" as they're known there. Chinese sales of instant noodles are falling, though, as the country becomes wealthier. But noodles are still on sale in every food store in the country. The story ends with Celia being shown how to make a "prison burrito" by an ex-prisoner from Riker's Island prison in New Jersey, in the US. We hear why instant noodles have emerged as the prisoners' currency of choice. Momofuku Ando's invention lives on. Producer: John Murphy.
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Folge vom 25.09.2018The Ballad of the BladeThe story of knife crime, told in verse by the weapon itself. Why do teenagers carry knives? How does it feel to live in a world where that's normal? How should we respond to the moral panic generated by the current wave of youth crime? Momtaza Mehri, Young People's Poet Laureate for London, presents a verse-journey into the thoughts and feelings of those for whom knife crime is an everyday reality. Perpetrator or victim, armed or defenceless, all the lines blur in "Ballad of the Blade" - a poem told in the voice of the knife as it travels on a chilling arc out of a child's bedroom, through fear, a yearning to belong and succeed, ruin and - sometimes - redemption. First-person voices from London and Sheffield splinter through the poem, reflecting the mosaic of lives affected by youth violence - bereaved youngsters and determined parents, criminals and youth workers. "Ballad of the Blade" is scored by Jon Nicholls. The programme was devised by Andrew Efah of BBC II! Producer Monica Whitlock.
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Folge vom 21.09.2018The Sound Odyssey: Nadine Shah travels to BeirutThe Sound Odyssey is a new series in which Gemma Cairney takes British artists for musical collaborations in different countries around the world, hearing the musicians in a new light, and exposing their artistic process as they create something new in different and unfamiliar surroundings with an artist they have never met before. In the first of a series of journeys Nadine Shah a British Muslim artist travels to Beirut, to collaborate with Lebanese singer songwriter and musicologist Youmna Saba. The challenge will be for them to create a track together in Beirut in just two days. Both have very different musical styles and cultural heritages. Nadine was born in Whitburn, South Tyneside, to an English mother of part-Norwegian ancestry and a Pakistani father. Her music is very much inspired by conflict, immigration, and cultural and religious identity, and her latest Mercury Prize nominated album, Holiday Destination was written about the Syrian refugee crisis. Although Nadine's lyrics have been very much inspired by the conflict in Syria she has never been to the Middle East. Youmna Saba holds a master's degree in Musicology, focusing mainly on the parallels between classical Arabic music and Arabic visual art. She is a part-time instructor at the musicology department at the Antonine University. Her sound borrows elements from the Arabic music tradition, and blends them with electronic treatments, sonic textures and loops. They will meet and collaborate in Beirut, a city once ravaged by civil war that has been gaining a reputation as a burgeoning cultural hub where cultural and religious diversity sits side by side. Once dubbed "the Paris of the Middle East", the Lebanese capital is a beautiful and daringly hopeful vision of what the future of the region might hold - A city of new ideas -art, fashion, political movements, multiculturalism and a thriving music scene. Whilst in the city Gemma Cairney meets local artists including Dima Matta the host of Cliffhangers, a storytelling group and platform which offers a safe space for people to express themselves in a country where this is very problematic and censorship is very much a real thing. And we hear from Syrian rock group Tanjaret Daghet, who now live in Beirut as exiles, anxious about their families and homes. Presented by Gemma Cairney Produced by Jax Coombes A BBC 6 Music Production for BBC Radio 4.