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The Digital Human

Aleks Krotoski explores the digital world

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Folgen von The Digital Human

181 Folgen
  • Folge vom 08.03.2021
    Treasure
    Every time we seek treasure and eventually find, we get a hit of endorphins that tickles the happy parts of our brains.There are tales of extraordinary discoveries; King Tut’s tomb, The Mona Lisa, Viking gold. Incredible things that took ingenuity and dedication to uncover. Wouldn't it be remarkable to strike it lucky and find real treasure buried for hundreds or even thousands of years? Every rabbit hole we go down, every mystery we try to solve scratches that itch. It might be offline, or on. What does it look like? How do we find it? And is it wise to do so?Archaeologist Peter Reavill tells us about the discovery of an astonishing Viking hoard in Herefordshire, but like so many tales of treasure warn, it became a curse to those who found it. They chose to value secrecy about what they discovered digging up the hoard, higher than its historical value. Stefan from Germany is sitting on an unbelievable hoard of digital treasure - $371,000,000 but with only two goes left on his flash drive to guess the password, it became such a curse it drove him to contemplate ending it all. And alternate reality game developer Dan Hon introduces us to Perplex City, an online and offline treasure hunt which led Andy Darley to dig up a metal cube claim a£100,000 prize. Dan draws similarities between alternate reality games and how QAnon works and we hear from Leila who after becoming obsessed with QAnon explains how a search for information, patterns and connections became the digital equivalent of seeking treasure but became so toxic it started affecting her mental health until she managed to pull herself out of it.Producer Kate Bissell Researcher Juliet Conway
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  • Folge vom 01.03.2021
    Troll
    In the early days of the internet, trolls were nothing to fear. Comedians, tricksters, harmless pranksters ready to waste a little time or pounce on a typo. Some people enjoyed a bit of provocation to spark some spirited debate. You had flamers and griefers, but in general communities were good at booting out malicious actors, while leaving the trickers to their fun.But in 2021, things are very different. In the past, a random troll post on 4Chan would quickly sink into obscurity. Now, one proved the start of the QAnon movement that lead to an attempted coup in Washington DC. Malicious trolls are now the dominant type across our shared internet spaces, their numbers are rising, and their influence spreading both online and off, causing harm to both individuals and wider society.Aleks Krotoski explores troll evolution, finding out why maliciousness became an evolutionary advantage in the digital space, and asking what happens when being a troll is becoming the new normal.
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  • Folge vom 22.02.2021
    Fated
    Aleks Krotoski explores the power of toys and play in shaping our technological future. Apple's Tim Cook has said he began working on the smartwatch aged 5 after seeing the cartoon character Dick Tracy's wristwatch two way radio. So how much of our technological present has been prescribed by future visions of the past? Clearly many innovators imagination’s get fired up by childhood experiences but do they end up pursuing technologies that don’t actually solve the problems we’re facing? Or worse still, do they lock coming generations into futures where many key decisions have already been made and they’ll end up having to deal with them? Look at climate change.Aleks explores these ideas with Steven Johnson author of Wonderland: How Play Made the Modern World, Jonathon Keats experimental philosopher and founder and curator of The Museum of Future History and Valentina Boretti; a researcher who has been looking at how toys were used to shape the children that would create China’s industrial miracle.Producer: Peter McManus
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  • Folge vom 16.11.2020
    Stream
    Since March this year - 2020 - venues have been black. Performers and live audiences are separated by COVID-19. Had it lasted a week, maybe two, things might not have changed. But as with the rest of our lives, technology has had to step in to give a lifeline to those who make their living from live performance. Aleks asks whether streaming online commodifies and commercialises artists and cultural scenes by turning what they do into just more online content? Or will streaming, together with limitations, promote greater creativity from the re- imagining of performance through the use of technology, to engage and reach audiences?Producer Kate Bissell Researcher Juliet Conway
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