The Listening Service Folgen

Everyone loves good music, but when is music bad? Can we objectively define bad music - are there any rules to help - or is it a matter of taste and fashion? What music was once thought good but we now regard as bad? (And vice versa.) Join arbiter of taste Tom Service as he dispenses judgment, both considered and otherwise.

Tom Service invites you to take stroll around a rogues' gallery of musical fakers, from the perpetrators of innocent pranks, to calculating fraudsters' deliberate deceptions. As well as the satisfying sight of seeing musical experts consuming humble pie, what are the motivations behind musical hoaxes? How can aesthetic value shift when work, once thought to be by a musical giant, is discovered to be a forgery or a by a much lesser figure? To help answer these and other questions, Tom is joined by Frances Christie, Sotheby's Head of Modern British Art, and author of An Incomplete History of the Art of Funerary Violin, Rohan Kriwaczek.David Papp (producer)

Tom Service investigates the rise of the synthesizer. How did this initially crude assemblage of electrical components develop in a few decades to become one of the most ubiquitous and flexible of musical instruments? He consults Peter Zinovieff, inventor of the first British commercially available synthesizer (the VCS3, made in his garden shed in Putney); and also young composer/performer Hannah Peel, who likes to work with the sound of vintage analogue synths.