As part of Radio 3 live at Southbank Centre, London, Tom Service considers the strange art of recorded sound - how can a cardboard speaker cone sound exactly like all the different instruments in an orchestra? How has the availability of recording technology changed our ways of listening? What of the future, when all possible recordings seem freely available? Musician and writer David Toop joins Tom to discuss the uncanny aspects of listening to disembodied sounds.
Kultur & GesellschaftSonstiges
The Listening Service Folgen
Rethink music with The Listening Service. Tom Service presents a journey of imagination and insight, exploring how music works
Folgen von The Listening Service
251 Folgen
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Folge vom 26.09.2016Sound Frontiers: Listening to Recordings
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Folge vom 18.09.2016Why is music addicted to bass?Can you imagine a piece of music without its bass line? Or going out dancing with no bass to move to?Whether it's an epic symphony or a club classic - we love listening to the bass. But what actually is 'bass'? How is it that we can often feel it as much as hear it? And why is it that every genre of music seems to need it.Tom Service goes on a whistlestop tour of bass through the musical ages: from Bach to Boulez, via reggae to rock n roll, Stevie Wonder to Dizzee Rascal. He discovers what links whales and horror movies in the world of bass. And he enlists the help of neuroscientist Dr Laurel Trainor to find out how we're hardwired into the bass as humans and whether it might even be true that the bigger the bass, the more we like each other.
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Folge vom 11.09.2016Rachmaninov's Second Piano ConcertoTom Service examines one of the most famous concertos in the piano repertoire. What is the secret of its appeal? Why does it have such emotional impact? Why did the critics hate it, yet why is it such a classical favourite in the world of popular culture - from Mickey Mouse to Marilyn Monroe to Muse? And what did Rachmaninov have to go through to compose it? With pianist Lucy Parham.
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Folge vom 18.07.2016TranscendenceTom Service considers how music can be transcendent. From Wagner's sublime harmonies in Tristan und Isolde, to the hypnotic drumming of shamans, what is it about some kinds of music that can take us to a higher plane? He considers music for contemplation (such as church music by Messiaen, and Fauré's Requiem); music for dancing to oblivion (the techno "Trance" genre, whirling dervishes); music evoking ecstasy (Scriabin, Gospel music); and he discusses the ancient practises of shamans in various cultures, with ethnomusicologist Keith Howard. (Presented in front of a live audience)