Witness History Folgen

In March 1957, Ghana became the first country in sub-Saharan Africa to gain independence and a new flag was unveiled marking a fresh start for the former British colony known as the Gold Coast. The woman behind the design was Theodosia Okoh, an artist and former teacher who won a government competition for a new emblem which would signify the end of British rule.Her flag had red, gold and green horizontal stripes with a black star in the centre and it replaced the symbol of an elephant encircled in front of a palm tree below the Union Jack.Theodosia’s son Kwasi Okoh was a young boy at the time of independence, he speaks to Reena Stanton-Sharma about the inspiration behind his mother's creation.(Photo: Ghanaian football fans with the flag at the 2006 World Cup. Credit Joerg Koch/DDP/AFP via Getty Images)

In 2004, Kimani Maruge became the oldest man to start primary school when he enrolled at the Kapkenduiywo Primary School in Kenya. The 84-year-old student was a former soldier who had fought against colonial rule in the Mau Mau independence movement. He missed out on school as a child so when the Kenyan government scrapped all fees for state primary education, he saw his chance to finally learn to read and write. Kimani's former teacher Jane Obinchu tells Vicky Farncombe how his story inspired people all over the world.(Photo: Kimani Maruge attends class at Kapkenduiywo Primary School in Kenya. Credit: Reuters/Thomas Mukoya)

On 24 May 2010, artist Yinka Shonibare unveiled Nelson’s Ship in a Bottle, on the fourth plinth in London’s Trafalgar Square.The piece was the world’s largest ship in a bottle, but it wasn’t just any vessel.It was a replica of HMS Victory, commanded by Admiral Lord Nelson in the Battle of Trafalgar, except Yinka had made an eye-catching change. The ship’s plain sails had been replaced with colourful Dutch wax sails. Dutch wax is a fabric typically sold in West Africa.Yinka’s work captivated crowds and left people wondering what it meant.“Some people were like ‘oh great we are celebrating Britishness. Fantastic’, and then some other groups said ‘Oh this is a critique of Britain. Fantastic’. I love it when the work does that!”, says Yinka. He tells Anoushka Mutanda-Dougherty how his artwork was created and what it means to him.