World Book Club Folgen

Best-selling British writer Alan Hollinghurst talks about his Booker prize-winning novel, The Line of Beauty.In the summer of 1983 20-year-old graduate Nick Guest moves into an attic room in the glamorous Notting Hill home of ambitious Tory MP Gerald Fedden. Nick’s glittering party and politics filled life is contrasted with the realities of his sexuality and gay life in London of the mid 1980s. Against a backdrop of Thatcherite politics and the emerging Aids crisis of that decade The Line of Beauty explores themes of hypocrisy, homosexuality, madness and privilege.(Photo: Alan Hollinghurst. Credit: Elisabetta Villa/Getty Images)

On this month’s World Book Club British writer Jane Gardam discusses her award-winning novel Old Filth with the studio audience at Broadcasting House and listeners from around the world. Edward Feathers is a child of the Raj. His earliest memories are of his beloved Amah, a teenage Malay girl whom he is soon torn away from when he is sent back to be educated in pre-war England, so-called Home, where he is boarded out with strangers.A career as a successful lawyer in Southeast Asia later earns him the nickname Old Filth, FILTH being an acronym for Failed In London Try Hong Kong. Yet through it all Feathers has carried the wounds of his emotionally hollow childhood, wounds he now sets out to confront as an elderly widow.(Photo: Jane Gardam. Credit: Victoria Salman)

This month World Book Club is celebrating its 15th birthday and has come to where it all began – in September 2002 - The Edinburgh Book Festival, to talk to Irish literary superstar Sebastian Barry about his poignant and much garlanded novel The Secret Scripture. Now in her hundredth year Roseanne McNulty, once the most beautiful girl in County Sligo, has long been locked up in an mental asylum for reasons which gradually become clear as she decides to put down a secret record of her remarkable story.Set against an Ireland besieged by conflict The Secret Scripture is at once an epic story of love and heart-rending betrayal and a vivid reminder of the stranglehold that the Catholic Church had on individual lives for much of the twentieth century.(Picture courtesy of The Irish Times.)