99% Invisible Folgen

On the show this week, we’re bringing you an episode of a new podcast called, La Brega. And to tell us all about the series is Alana Casanova-Burgess. Casanova-Burgess traces back the story of the boom and bust of Levittown, a massive suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Casanova-Burgess (herself the granddaughter of an early Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream in Puerto Rico. La Brega in Levittown Subscribe to La Brega on Sitcher, Apple Podcasts, or Spotify Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes and get exclusive access to bonus content.

Kurt and Roman talk about icebergs and how we visualize them all wrong. Plus, we visit a classic 99pi story by Emmett FitzGerald about visualizing dinosaurs. At least for the time being, art is the primary way we experience dinosaurs. We can study bones and fossils, but barring the invention of time travel, we will never see how these animals lived with our own eyes. There are no photos or videos, of course, which means that if we want to picture how they look, someone has to draw them. The illustrated interpretation of dinosaur morphology and behavior has had a big impact on how the public views dinosaurs and it's gone through a couple of key turning points, including a more recent push for more speculative paleoart. Welcome to Jurassic Art Redux Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes and get exclusive access to bonus content.

Since the mid-1970s, almost every jazz musician has owned a copy of the same book. It has a peach-colored cover, a chunky, 1970s-style logo, and a black plastic binding. It’s delightfully homemade-looking—like it was printed by a bunch of teenagers at a Kinkos. And inside is the sheet music for hundreds of common jazz tunes—also known as jazz “standards”—all meticulously notated by hand. It’s called the Real Book. But if you were going to music school in the 1970s, you couldn’t just buy a copy of the Real Book at the campus bookstore. Because the Real Book... was illegal. The world’s most popular collection of Jazz music was a totally unlicensed publication. The full story of how the Real Book came to be this bootleg bible of jazz is a complicated one. It’s a story about what happens when an insurgent, improvisational art form like Jazz gets codified and becomes something that you can learn from a book. The Real Book Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes and get exclusive access to bonus content.