Reporter Andrew Leland has always loved to read. An early love of books in childhood eventually led to a job in publishing with McSweeney’s where Andrew edited essays and interviews, laid out articles, and was trained to take as much care with the look and feel of the words as he did with the expression of the ideas in the text. But as much as Andrew loves print, he has a condition that will eventually change his relationship to it pretty radically. He’s going blind. And this fact has made him deeply curious about how blind people experience literature and the long history of designing a tactile language that sometimes suffered from trying to be too universal.
The Universal Page
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