How do we build stronger alliances and create impact campaigns that engage audiences on issues, to create lasting change?
The phenomenal rise of documentary impact campaigns in recent years, following the success of Good Pitch Australia and the growing field of expertise, means we now have a global community of impact producers and a rich library of case studies to learn from. There is also a plethora of online tools and organisations offering expertise in delivering impact campaigns. So what have we learned and where are we going? What is the best impact approach for your project and budget?
Through unpacking several environmental sustainability themed case studies, our panellists from very different corners of the industry demonstrate the wide variety of ways to achieve genuine social impact.
Kultur & Gesellschaft
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Folge vom 04.05.2018AIDC 2018: The Evolution of Impact
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Folge vom 02.05.2018AIDC 2018: Errol Morris' Wormwood ... like producing 3 films at onceRobert Fernandez has been producing award-winning documentaries and commercials for over 25 years - yet he still loves getting his hands dirty on budget spreadsheets 'I love the numbers'. Working with Errol Morris since The Fog of War, Fernandez recently delivered their biggest project to-date: the Netflix series Wormwood. With no precedent for its hybrid format or production model, it took 1.5 years to develop and finance with Netflix, and 2.5 years to shoot. Fernandez is the master producer behind a master director, and the man that 'did the numbers' to produce the opus Wormwood, replete with a feature shoot's worth of drama and 10-camera interview setups.
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Folge vom 27.04.2018ACMI Conversations: Retro NostalgiaIs the recent trend in 80s retro films and TV symbolic of a nostalgia for a simpler era? The 80s was a decade renowned for its excess - think money, drugs, eyeshadow and lycra. From Stranger Things and Glow to Spielberg’s upcoming Ready Player One, we look at contemporary TV and films that transport us back to the decade defined by ET, The Goonies, big hair, pastels and 12-sided dice. But what does this recent trend in 80s retro nostalgia tell us about ourselves? Are we nostalgic for a simpler pre-Trump age? Join filmmaker Glendyn Ivin, academic Dr Lauren Rosewarne and critic Mel Campbell in a neon-coloured, synth-scored exploration of our yearning for 80s small town America. Copyright Acknowledgments Title: Stranger Things, Series One, Episode One Copyright: Netflix Title: Stranger Things, Series One, Episode Two Copyright: Netflix Title: Glow, Series One, Episode Seven Copyright: Netflix Title: Wet Hot American Summer Copyright: USA Films Title: E.T. Copyright: Universal Pictures Title: The Goonies Copyright: Warner Bros. Title: Stand By Me Copyright: Columbia Pictures Title: Puberty Blues, Season One, Episode One Copyright: Endemol Australia Title: Puberty Blues, Season One, Episode Three Copyright: Endemol Australia Title: Cracker Bag Copyright: Glendyn Ivin
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Folge vom 27.04.2018ACMI Conversations: A Thin Black LineIn this talk we explore the creative, technical, cultural and collaborative practice of creating VR from personal histories for this moving new work. A Thin Black Line is an immersive VR experience that follows one family in the aftermath of the bombing of Darwin in 1942, when half the population fled believing a Japanese invasion was imminent. Among them was Indigenous filmmaker Douglas Watkin’s mother, just five-years old at the time. Director Douglas Watkin, VRTOV's VR director Oscar Raby, artist Vernon Ah Kee and lead 3D artist Kalonica Quigley shared behind-the-scenes footage and early drawings from their unique journey bringing oral storytelling to digital life through graphic and game design. See A Thin Black Line free from 3 March in the Untold Australia VR Showcase in our permanent exhibition Screen Worlds. About The Speakers Douglas Watkin Brisbane-based Indigenous filmmaker Douglas Watkin was born in Cairns, Far North Queensland. His broadcasting and filmmaking career began in television doing small news reports and producing various corporate videos, and has progressed to feature films, broadcast series and multimedia works for a range of clients and audiences. Douglas has been actively working in the film and television industry for over twenty years, including producing and directing multiple series for ABC and NiTV. Oscar Raby Oscar Raby is an award-winning multimedia artist and Creative Director of independent digital production studio VRTOV. His Virtual Reality documentary Assent (2013), about the Chilean dictatorship, has been exhibited world-wide including screening at Sundance New Frontier, IDFA DocLab and Sheffield Doc/Fest where it received the Audience Choice Award for Cross-platform. Kalonica Quigley Kalonica is a 3D Artist and Game Developer who has developed award-winning games with small teams and independently. She currently works as Lead 3D Artist at VRTOV, an independent studio that crafts virtual reality experiences at the borderline of film and games. Vernon Ah Kee Born in Far North Queensland and currently living in Brisbane, Vernon is a member of the Kuku Yalandji, Waanji, Yidinji and Gugu Yimithirr peoples. Vernon’s multi-faceted practice includes works that range from large-scale drawings of his ancestors to hard-hitting text-based works and installations. In his work Ah Kee fuses the history and language of colonisation with contemporary black/white political issues in an ongoing investigation of race, colour and politics. Through clever puns and plays on words and objects Ah Kee fuses the history and language of colonisation with contemporary black/white political issues to expose degrees of underlying racism in Australian society.