When an art exhibition featuring stickers made to look like graffiti opened in Canterbury Cathedral, there was a surprisingly loud reaction from right-wing activists in the US - even JD Vance, the American vice-president, chimed in. Many on the political right see cathedrals, churches, and monuments in Europe as a grand cultural heritage which they feel they have to defend. And many of Donald Trump's supporters believe that Britain is under attack from multiculturalism, and that the UK is a country in decline because of its alleged failure to uphold Western values. The BBC's Mike Wendling, who’s written books investigating the US far-right, explains to Adam Fleming how the concept of the "decline of the West" has crossed the Atlantic.
Kultur & Gesellschaft
AntiSocial Folgen
Peace talks for the culture wars. In an era of polarisation, propaganda and pile-ons, AntiSocial offers an alternative: understanding, facts, and respect. Each week, Adam Fleming takes on a topic that's generating conflict on social media, blogs, talk shows and phone-ins and helps you work out what the arguments are really about.
Folgen von AntiSocial
159 Folgen
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Folge vom 21.10.2025How right-wing activists use 'Western civilisation'
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Folge vom 17.10.2025Graffiti, church, and Western civilisationAn art exhibition in Canterbury Cathedral has enraged traditionalists who believe that it doesn’t fit with the holy site’s beauty or the church’s mission. The works consist of a set of temporary vinyl stickers with questions like “Why did you create hate when love is by far more powerful?” and “Does our struggle mean anything?” The questions for God were devised after artist Alex Vellis and curator Jacquiline Creswell consulted a series of marginalised groups. The organisers say the stickers were tested to make sure they did not damage the cathedral’s ancient walls. But they have faced criticism on artistic grounds and questions about the appropriateness of the art and the values behind it. Among the outraged were Vice President JD Vance, who called the stickers “ugly”, and Elon Musk, who called it an affront to western civilisation They in turn were faced with supporters of the exhibition who argued it reflected the church’s mission and spread a message of inclusiveness and tolerance. Art has always been intrinsically tied to religion and the Anglican Church, so how far back does this culture war battle really go – and why did political leaders in America jump into the controversy? Presenter: Adam Fleming Production team: Natasha Fernandes, Ellie House, Mike Wendling Studio manager: Andy Mills Production coordinator: Janet Staples Editor: Richard Vadon
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Folge vom 14.10.2025The politics of angerAre middle aged white men angry and if so why and how does that affect our politics? Professor of political science at the University of Manchester, Rob Ford, speaks to Adam Fleming about what is driving this anger from financial insecurity to broader social and cultural attitudes. He covers everything from the motte-and-bailey fallacy to measuring how tolerant someone is based on whether they’d be happy if a family member brought someone with a different political belief home.
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Folge vom 10.10.2025Angry middle-aged white menFootball pundit and former Manchester United star Gary Neville posted a video that he pitched as a call to national unity. But was greeted by a wave of online vitriol for one line in which he blamed “angry middle-aged white men” for creating political division. Many middle-aged white men took to social media – to deny they are angry, to describe their anger as justified, or to call Neville’s comments the out-of-touch ramblings of a “champagne socialist”. But the footballer has his supporters too, with some saying he put his finger on a specific group that has been pulling at the fault lines of British politics by hoisting flags and protesting against immigration. What do polling and history tell us about the political divides within our society – and when it comes to our political divisions, who’s really to blame? Presenter: Adam Fleming Production team: Emma Close, Natasha Fernandes, Mike Wendling Studio manager: Andy Mills Production coordinator: Janet Staples Editor: Richard Vadon