Arts & Ideas Folgen

Matthew Sweet visits Tate Britain’s unveiling of a comprehensive new vision of its permanent collection. Thematic presentation gives way to strict chronology. Susannah Clapp gives a first night review of Public Enemy, a new production of Ibsen's play about corruption and the nature of the public good. New research has revealed only a very small percentage of the population has made plans for the end of their lives. Matthew and guests discuss the idea of the good death. F R Leavis’ spirit has been summoned to the discussion table in the recent wranglings about what should be taught to children in schools. David Ellis, who studied with, and the novelist Margaret Drabble discuss his influence and reputation.

Anne McElvoy applies herself to the crisis of modern banking, the plight of buildings in Moscow and a masterpiece of British theatre. She talks to Simon Russell Beale and John Simm about the latter, Pinter's early tragicomdedy, The Hothouse, before sharing notes on bankers with the academic economist, Anat Admati and then enlisting the views of the conservationist, Clem Cecil about the Melnikov House - one of the jewels in Russia's modernist crown. She’s also joined by Karen Leeder and Catherine Merridale to discuss the power that Hitler and Stalin still exert over writers in Germany and Russia.

The Mark Rothko Arts Centre has opened its doors for the first time and some of his paintings return to his birthplace in Daugavpils, Latvia. Philip Dodd journeys there to speak to curator, for whom the project has been a labour of love, and Rothko's children about their father's memories of the city. John Beddington is the former chief scientific advisor to the government. He’s represented the interests of the scientific community to Whitehall during an era of massive cutbacks in public spending. He talks to Philip about what role scientists play in the big decisions of public life?