Arts & Ideas Folgen

Whether it’s Jane Eyre transported to India, childrens masks used for political protests or film posters that trigger memories, there are endless fascinating stories nestled amongst archives that researchers are diligently bringing to the fore. Dr Naomi Paxton meets three researchers who work in archives that focus on Indian culture and history to find out more about some of the unexpected stories hiding amongst the books, prints and film paraphernalia. Dr Monia Acciaria is Associate professor in Film and Television History at DeMontfort University and Associate Director of the UK Asian Film Festival. You can explore the Creative Archives of Indian Cinema YouTube channel here https://youtube.com/channel/UCN-wV7Jl9YeR3pGzJaP7-mwDr Pragya Dhital is the curator of ‘Crafting Subversion: DIY and Decolonial Print’. Her research focuses on paper crafts and communications in modern India. The exhibition ‘Crafting Subversion: DIY and Colonial Print’ is on until 3rd September 2022 at the SOAS Brunei Gallery https://www.soas.ac.uk/gallery/crafting-subversions/ Olivia Majumdar is project curator of ‘Two Centuries of Indian Print’ project at the British Library and specialises in novels in translation in Colonial India. Explore ‘Two Centuries of Indian Print’ at the British Library online here https://www.bl.uk/early-indian-printed-books Olivia’s article on the Tarakeswar Affair is here https://www.bl.uk/early-indian-printed-books/articles/notes-on-a-scandalThis episode was made in partnership with the AHRC, part of UKRI.You can find more conversations about New Research in a playlist on the Free Thinking website https://www.bbc.co.uk/programmes/p03zws90Producer: Sofie Vilcins

Varney the Vampire was a blood soaked gothic horror story serialised in cheap print over the course of a couple of years in the nineteenth century. The resulting "penny dreadful" tale spilled out of a large volume when it was finally published in book form. In spite of his comfort with crosses, daylight and garlic, Varney's capacity to reflect on his actions made him an early model for Dracula. Matthew Sweet explores why a work, so often overlooked, was so important to the development of the vampire genre.Roger Luckhurst is Professor in Modern and Contemporary Literature at Birkbeck College, University of London. He is the author of Gothic: an illustrated history and editor of The Cambridge companion to Dracula.Joan Passey is a lecturer at the University of Bristol. She is the author of Cornish Gothic and editor of Cornish Horrors. And, she is a 2022 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to turn research into radio.Sam George is an Associate Professor at the University of Hertfordshire and is the convener of the Open Graves, Open Minds Gothic research project. Her books include: In the Company of Wolves: Werewolves, Wolves, and Wild Children and Open Graves, Open Minds, Representations of the Vampire from the Enlightenment to the Present Day.Producer: Ruth Watts

David Chalmers is credited with setting the terms for much of the work done in the philosophy of mind today when he posed the 'hard problem' of consciousness: how does matter, which is fundamentally inanimate, give rise to or interact with consciousness, which is qualitative and phenomenal - always a 'what it's like'? His most recent book, Reality +, is an investigation of the possibility that our entire experience could be an illusion.Iain McGilchrist is a literary scholar turned psychiatrist whose 2009 book The Master And His Emissary developed the 'two hemisphere' model of the brain and cognition according to which the left hemisphere is rational, precise, but limited, and the right hemisphere is intuitive, creative, and expansive. Starting with this model, McGilchrist went on to analyse nothing less than the rise and fall of civilizations in terms of the interplay between these two aspects of human nature. His new book The Matter With Things goes even further, developing the hemisphere model into a means for explaining our basic relationship with reality - and suggesting ways it could be improved.David Chalmers and Iain McGilchrist expound, explain and defend their work to Christopher Harding.Produced by Luke Mulhall