Between the Ears Folgen

Wilfred Owen wrote that he was a 'poets' poet'. He also wrote, in the preface to 'War Poems', 'Above all I am not concerned with Poetry. My subject is War, and the pity of War'. Owen is, then, a soldiers' poet, and the people who figure in his poems are all soldiers. In this Between the Ears, soldiers, all serving when they were recorded, choose a Wilfred Owen poem, explain why, read it and speak about the impact it has on them.They range from Barbara Ennis, a corporal, who chooses 'Dulce Et Decorum Est' because Owen's description of a gas attack matched her own experience, to General Sir Richard Dannatt, who was the Chief of the General Staff. He considers the worst fate that can befall a soldier - going mad. David Hamilton joined up as a boy, Justin Featherstone fought as a second lieutenant, Owen's rank, and one was awarded, like the poet, the Military Cross.They reflect on killing, on boredom, the covenant between soldiers and the society they serve - and the civilian population's lack of understanding. 'The Soldiers' Poet', first broadcast in 2006, was an early catalyst to the debate about this that continues to this day. These are what Wilfred Owen's poems, written a lifetime ago, address. They speak to today's soldiers, whose readings of the poems have arresting immediacy.Soldiers get to the point, make it quickly and move on. This, their poetry programme, cracks along, reflecting their brisk clarity. There is no presentation, just essential information - who the soldiers are and where they have served - the equivalent of giving name, rank and number.Producer: Julian May.

Lenny Henry stars in a musical fantasy written by Jakko M Jakszyk and Lenny Henry, woven round the real-life 1964 dinner encounter between the greatest poet in the English language of the twentieth century, TS Eliot and the legendary star of A Night at the Opera, Duck Soup and Horse Feathers, Groucho Marx.Almost exactly fifty years after the meeting in early June 1964, Radio 3's adventurous feature series Between the Ears brings the moment to life with the aid of Groucho Marx and TS Eliot's exchange of letters. They'd been pen-pals since 1961, had swapped signed photographs - Eliot particular that Groucho send him a cigar-toting portrait - and compared lifestories. Eliot hung his Groucho picture between his portraits of WB Yeats and French poet Paul Valery - a place of great honour, according to Craig Raine, celebrated poet himself and biographer of Eliot, who also appears in the programme.With Lenny Henry taking the role of Groucho, Jakko Jakszyk has woven a delicate vocal and instrumental score around the letters, while he and Lenny together speculate about the nature of the men's seemlingly unlikely passion for each other's work.After a number of failed arrangements, in June 1964, a car arrives at the Savoy to collect Groucho and his wife to take them the short distance to Eliot's home for the much-awaited dinner. Yet such is the nature of celebrity that when Groucho quoted lines from Eliot's The Wasteland back to him, he was uninterested, and Groucho, in turn, was unable to recall the scene from Duck Soup that Eliot particularly loved. They parted, disappointed and a little dejected. Yet, nine months later, on learning of the poet's death, Marx wrote: "he was a nice man, the best epitaph any man can have...".

Joe is home from school."How was your day Joe?" asks his mum Emma (the producer of the programme).But Joe, and many like him on the autistic spectrum, can't always find the words to summarise their day, or even make sense of the question. Yet later on, they may come round to offering an answer. So what is happening as they struggle to process what is being asked of them?Through sound and interview, Joe and Emma explore where he and others on the autistic spectrum go to in their minds between the question and a possible answer.Emma finds out that part of Joe's resistance to giving an answer may come from the fact that he's exhausted just from the effort of processing the transition between school and home. Whereas so-called "neurotypical" people find it easy to make sense of the different settings and can see them in a wider context, people with autism often focus on every tiny detail and find it difficult to filter information. So a short walk up the path to the house may be crammed with observations of every blade of grass, or a struggle to understand why some things have changed since they left- the window being open for instance when it wasn't before.And the question itself - "How was your day?" Which part of the day? Does Mummy mean "today" or yesterday? Is it the right question to be asking at all?Emma and Joe hear testimony from others on the autistic spectrum, including the writers Wendy Lawson, Michael Barton and the poet Nicole Nicholson. There are also contributions from Professor Simon Baron-Cohen (Director of the Autism Research Centre at Cambridge University), clinical psychologist Andrew McDonnell, speech therapist Robert Bell and Delia Barton, Michael's mother.Producer: Emma Kingsley.