Between the Ears Folgen

'The old pagan gods, when ousted by Christianity, took refuge in the rivers, where they still dwell' - Old English sayingDavid Bramwell has a fascination and fear of water. He grew up by a water tower, close to the heart of Doncaster: a place of mystery and wonder to him, the highest building in the area, almost a kind of temple.'We have wandered too far from some vital totem, something central to us that we must find our way back to, following a hair of meaning' - Alan MooreWith deep thought from cult author Alan Moore, the witches of Sheffield, ex-steel workers and the conservationists of Yorkshire, musician David Bramwell plunges into the river Don to celebrate its return to health and the revival of the worship of its goddess, Danu - the river's original name from pre-Roman times.It's also an underwater musical experience for the listener... blending the sounds of the rivers, canals and streams of the Don, recorded with hydrophones, into new music, new sounds, with Bramwell's compositions.Bramwell travels up the Don to its source, backwards in time, uncovering the history of its days as an industrial heartland, now a regenerated river - banked by forests of figs and swum through by deer.He meets John Heaps who, as a teenager in the 1970s at the steel works, was instructed to throw cyanide in the river by the bucket-load; takes a boat with Professor Ian Rotherham, of Sheffield Hallam University, who guides him through the decaying, yet reviving industrial landscape of the city; hunts fresh fish with river expert Chris Firth of the Don Catchment River Trust; stares up at Vulcan on the Town Hall roof, the harsh overlord of industry, with folklorist and lecturer David Clarke; and hears from witches Anwen and Lynne Harling (also an archaeologist, handily), trying to bring back recognition for the goddess of the river.But this is also a mystical journey - searching out the 'spirit of this dark and lonely water', in an attempt to come to peace with Bramwell's own fear, perhaps to atone for the wrongs committed to Danu by Vulcan, in the name of progress and industrialisation.Going under, with Between the Ears.Producer: Sara Jane HallMusic and words performed, written and presented by David Bramwell.Clips from Lonely Water (1973) from The COI Collection, courtesy BFI National Archive. The film can be view on the BFI player, see link below.

Alice Oswald's radio poem Rain was commissioned by Radio 3 in 2016 as part of the 70th anniversary celebrations. Written and performed by the poet, Rain was inspired by a visit to Romford Essex, which experienced a dramatic sudden rainstorm in the early hours of June 23 that year. The poem examines the effect this natural atmospheric occurrence has on an urban environment and its population. A version of Rain has been created in binaural sound. Listen on headphones for the full effect.Rain - written and performed by Alice Oswald Sound design Steve Brooke Produced by Susan Roberts.

The innovative composer and electronic music pioneer Matthew Herbert physically deconstructs the instruments of a string ensemble while they play one of Beethoven's late string quartets, considered by many to be the epitome of chamber music. In a new commission, with an original performance by the Tippett Quartet, Beethoven's String Quartet in F major Op.135 is lovingly rendered until it starts to decay, collapse and become unrecognisable. The music unfolds with the sounds of the quartet being slowly replaced with the sound of snapping strings, instruments being sawn up, stamped on or burnt. In the end, all we hear are the instruments in a broken and destroyed state, in a piece which raises questions about our perceptions of acoustic instruments, in an age of instant digital reproduction. Matthew Herbert's Requiem is jointly commissioned by BBC Radio 3, Festival d'Aix-en-Provence, and Centre National de Création Musicale (GMEM) in Marseille, where the sounds of broken instruments were recorded. Part of Radio 3's 70th season, celebrating seven decades of pioneering music and culture since the founding of the Third Programme.