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Kultur & Gesellschaft

Between the Ears

Innovative and thought-provoking features that make adventurous use of sound and explore a wide variety of subjects. Made by leading radio producers.

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Folgen von Between the Ears

59 Folgen
  • Folge vom 27.12.2020
    Brief Encounters
    Stories of real life chance encounters, inspired by the 75th anniversary of the much-loved film Brief Encounter. Introduced by Matthew Sweet. Using different recordings of Rachmaninov's Piano Concerto No. 2 - which famously underscores the 1945 film - Between the Ears reflects on how a chance meeting can change our lives forever.In the 1950s two people bump into each other changing trains at Harrow-on-the-Hill station. In 2001, two strangers meet on a train bound for Edinburgh. In 2014 two paths cross in a departure lounge at Toronto Airport. Meanwhile, a few Christmases ago in a pub in Margate eyes meet across a crowded bar. For each person, for good or ill, life will never be the same again. Between the Ears tells their stories, set to Rachmaninov's haunting music. Producer: Laurence GrissellSound mixed by Donald MacDonald Featuring the voices of:Barry and Maureen Leveton Anna Nation Kähler Kristen Adamson Aoife HannaFeaturing the following recordings of Rachmaninov, Piano Concerto No. 2:Krystian Zimerman, Boston Symphony Orchestra conducted by Seiji Ozawa Leif Ove Andsnes, Berlin Philharmonic Orchestra conducted by Antonio Pappano Vladimir Ashkenazy, London Symphony Orchestra conducted by André Previn John Ogdon, Philharmonia Orchestra conducted by John Pritchard
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  • Folge vom 18.10.2020
    The Rising Sea Symphony
    The dramatic effects of climate change evoked in words, sounds and a powerful new musical work.Over four movements of rich and evocative music, the listener is transported to the front line of the climate crisis, with stories from coastal Ghana – where entire villages are being swept away by the rising sea – to Norway’s Svalbard archipelago in the high arctic where the ice is melting with alarming speed. The dramatic final movement ponders two contrasting possible outcomes to the crisis. In an ambitious new work originally commissioned by BBC Radio 3 for their Between the Ears strand, Kieran Brunt weaves together electronic, vocal and orchestral elements recorded in isolation by players from the BBC Philharmonic. Each musician recorded their part individually at home and these recordings were then painstakingly combined by sound engineer Donald MacDonald to create a symphonic sound. Documentary producer Laurence Grissell and composer Kieran Brunt have collaborated to produce an ambitious and original evocation of the causes and consequences of rising, warming oceans. CreditsComposer: Kieran Brunt Producer: Laurence GrissellElectronics and violin performed by Kieran Brunt Orchestral parts performed by members of the BBC Philharmonic Vocals: Kieran Brunt, Josephine Stephenson & Augustus Perkins Ray of the vocal ensemble ShardsSound mixed by Donald MacDonald Interviewees: Sulley Lansah, BBC Accra Office Hilde Fålun Strøm and Sunniva Sørby, heartsintheice.com Blaise Agresti, former head of Mountain Rescue, ChamonixBlaise Agresti recorded by Sarah BowenWildlife recordings by Chris WatsonNewsreaders: Susan Rae & Tom Sandars Adverts voiced by Ian Dunnett Jnr, Luke Nunn, Charlotte East, Cecilia Appiah
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  • Folge vom 28.06.2020
    The Vet at the End of the World
    Angry bulls, furious penguins, enraged seals! In the shadow of the volcano 'Between the Ears' gets a microphone close up to enjoy the action, as veterinarian Jonathan Hollins, gives us a taste of life with the remote animals and sea life of Tristan Da Cunha. On an island of a population of around 250 people, a thousand sheep and many more penguins, Joe also gets a flavour of what happened to the islanders when the volcano last erupted and they were forced to leave their homes, sixty years ago. Cracks in the ground were opening and closing - one sheep fell in! Boats took them to a nearby penguin colony where they sheltered until rescued. Sent to live in the UK, all chose to return to Tristan as soon as it was declared safe by an expeditionary force sent out by The Royal Society.The island was just as they had left it, the settlement miraculously spared, though all the sheep mysteriously disappeared... there are theories as to why! Memories of the volcano are mixed with Joe's daily life - the domestic close up sounds of cows birthing, bulls hoisted onto land from bucking fishing vessels and gong clanging to bring the islanders together. The atmosphere is punctuated by updated versions of traditional sea shanties - performed by the likes of Lou Reed, Anthony, Beth Orton, Rufus Wainwright, Richard Thomson and Tim Robbins. This rocky outcrop was claimed by the Dutch, the British, the Portuguese, and even an American Privateer, geographically useful to all in its splendid isolation, (even in the 20th century the islanders only heard about the ‘result’ of the First World War a year after it finished). Today, we might envy their close community and isolation in a world endangered by today’s globalisation. Joe was lucky to get permission to record during his time there, by the island council, scarred by their previous experiences with the ‘press’, most particularly during that 18 months living as refugees in the UK. From the most remote community in the world – Tristan Da Cunha - the sounds, songs and tales of a whole island committed to socially isolating – together.With grateful thanks to the people of Tristan Da Cunha. Producer: Sara Jane Hall Archive: The Royal Society Volcanic Eruption on Tristan da Cunha, 1961 Music: as sourced by Danny Webb from 'Rogue’s Gallery' - a series of sea shanties and pirate songs. And 'Imaginary Songs From Tristan Da Cunha' by Deathprod.
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  • Folge vom 26.01.2020
    Diorama Drama
    Before the magic of photography, the dazzle of cinema - there was the diorama.Frenchman Louis Daguerre is known primarily as one of the inventors of photography - but before the magic of light fixed on paper there was the diorama, which some call the precursor to the moving image, and cinema. The Diorama offered the well-heeled audience a glimpse into other worlds… where volcanos would erupt on the hour, Roman ruins explored, mountain peaks ascended… not unlike a modern Las Vegas but in the 1820s.Using light, moving apertures, smoke and mirrors, sound and music, to produce unusually realistic effects, he created a new form of entertainment - immersive, dramatic, sensational, and for a brief period, the wonder of the Western world. From New York to Moscow, Dioramas opened their doors to well-heeled customers who would be so delighted with the ‘realism’ of the created scene, they would frequently ask to be led onto the stage - be it a scene from the Alps, the Battle of Trafalgar, Cowes in the Isle of Wight, or a voyage in search of the North-West Passage. By 1850, nearly all had burnt to the ground, probably due to the large number of oil lamps involved, and the highly flammable nature of the stage props and theatres, but hidden by a Nash façade in Regents Park, London, there stands the last of the Diorama Theatres - a Grade 1 listed building, now sadly empty and awaiting ‘reimagining’. Architect Marek Wojiechowski, who is developing plans for the long empty building, takes him on a tour backstage. Award-winning writer, drama producer and podcast expert Dr Lance Dann gets a chance to visit the original Diorama before setting off on a kaleidoscopic journey through other influential dioramas. He returns to the Denis Severs House in Spitalfields, where he once helped install a sound scape, to bring this detailed recreation of a Huguenot silk weaver’s house, to life. Does the magic still work? Dr Hetta Howes takes him into the immersive atmosphere of Great St Bartholomew’s Church where the worshippers were once drench is sounds, sights and evocative suggestions, and describes the most suggestible of religious texts – the passion meditations. Intriguingly he hears about The Nutshell Studies of Unexplained Death - the murder dioramas created by the brilliant and formidable Chicago heiress Francis Glessner Lee - still used today to teach detectives. Susan Marks has spent a decade researching her - her first film was charmingly titled - The Dolls of Murder, and together they try and solve one of her most famous murder scenes - Barn! Dr Sarah Garfinkle helps us understand how our brains fool us, or decide to play along with immersion, whilst Dr Alistair Good, VR games designer, tempts Dann to jump off a tall building, virtually. Finally Dann visits possibly the last genuine Daguerre diorama in the world – in a small village just outside Paris, Bry-Sur-Marne, where the Mayor Jean Pierre-Spillbauer, and local archivist Vincent Roblin, have dedicated much of the last 20 years trying to restore the small but effective diorama at the back of a provincial church. After contacting Antoine Wilmering at the Getty Foundation, they received a grant of $200,000, matched by the French Government, which saved the last of Daguerre’s dioramas. Producer: Sara Jane Hall Music sourced with the help of Danny Webb.
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