Bullseye with Jesse Thorn Folgen

We're joined by film directors Tomm Moore and Ross Stewart—creators of the new animated film Wolfwalkers. The film is the third installment in their Irish folklore trilogy that includes 2009's The Secret of Kells and 2014's Song of the Sea. Their latest follows the story of a young apprentice hunter named Robin as she bridges the world between an emerging 17th century colonized Ireland and the mysterious wolves said to be overrunning the lush woods that surround her family's town of Kilkenny. The film is lush, thought-provoking and adventurous. Tomm and Ross chat with Jesse Thorn about their breathtaking film, the films that inspired them as children and their own relationships to Irish folklore. Plus, they'll tell us what cartoon they consider the perfect stoner movie.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Born in Los Angeles' Crenshaw District, Terrace Martin found a love for hip-hop early on. The kids growing up around him were freestyling and playing in backyard shows. He grew up in a jazz household, and got his start as a saxophonist, too. With those two backgrounds, Terrace kicked off a career that would make him a trailblazing polymath in pop music. He's worked with rappers like Snoop Dogg, YG and Murs. He was heavily involved in Kendrick Lamar's To Pimp a Butterfly, producing many songs on the album including the hit King Kunta. We're revisiting our conversation from 2017. At the time, he'd just released The Sounds of Crenshaw Volume 1 with his band, the Pollyseeds. In 2020, he released seven EPs – including Village Days, and Dinner Party late last year. When he joined us we talked about his thoughts on hip-hop, and jazz that's taught in academic settings. Plus, why working with Kendrick Lamar was so important to him.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Documentary filmmaker Errol Morris has a very unique style of storytelling. Part of his creative process includes the use of a device he invented called a "Interrotron." It allows the subjects of his films to look at him, the interviewer, while also looking straight into the camera, creating the sense that his subjects are addressing the viewer directly. He's been lauded among the film community as a visionary and his film debut, 1978's Gates of Heaven is required viewing in film schools across the country. Since then, he's made The Thin Blue Line, The Fog of War and the 2014 Netflix series Wormwood. Revisit our 2014 conversation with the acclaimed director on why Wormwood is like an "Everything bagel," capturing the art of the story and how the mid 20th century inspires his obsession with retrospective filmmaking.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy