In Our Time: Culture Folgen

Melvyn Bragg and guests discuss one of the great novels of China’s Ming era, and perhaps the most loved. Written in 1592, it draws on the celebrated travels of a real monk from China to India a thousand years before, and on a thousand years of retellings of that story, especially the addition of a monkey as companion who, in the novel, becomes supersimian. For most readers the monk, Tripitaka, is upstaged by this irrepressible Monkey with his extraordinary powers, accompanied by the fallen but recovering deities, Pigsy and Sandy.The image above, from the caricature series Yoshitoshi ryakuga or Sketches by Yoshitoshi, is of Monkey creating an army by plucking out his fur and blowing it into the air, and each hair becomes a monkey-warrior.With Julia Lovell Professor of Modern Chinese History and Literature at Birkbeck, University of LondonChiung-yun Evelyn Liu Associate Research Fellow at the Institute of Chinese Literature and Philosophy, Academia Sinica, TaiwanAndCraig Clunas Professor Emeritus of the History of Art at Trinity College, University of OxfordProducer: Simon Tillotson

Melvyn Bragg and guests discuss the Roman poet Publius Ovidius Naso (43BC-17/18AD) who, as he described it, was destroyed by 'carmen et error', a poem and a mistake. His works have been preserved in greater number than any of the poets of his age, even Virgil, and have been among the most influential. The versions of many of the Greek and Roman myths we know today were his work, as told in his epic Metamorphoses and, together with his works on Love and the Art of Love, have inspired and disturbed readers from the time they were created. Despite being the most prominent poet in Augustan Rome at the time, he was exiled from Rome to Tomis on the Black Sea Coast where he remained until he died. It is thought that the 'carmen' that led to his exile was the Art of Love, Ars Amatoria, supposedly scandalising Augustus, but the 'error' was not disclosed.With Maria Wyke Professor of Latin at University College LondonGail Trimble Brown Fellow and Tutor in Classics at Trinity College at the University of OxfordAnd Dunstan Lowe Senior Lecturer in Latin Literature at the University of KentProducer: Simon Tillotson

Melvyn Bragg and guests discuss Euripides' great tragedy, which was first performed in Athens in 405 BC when the Athenians were on the point of defeat and humiliation in a long war with Sparta. The action seen or described on stage was brutal: Pentheus, king of Thebes, is torn into pieces by his mother in a Bacchic frenzy and his grandparents condemned to crawl away as snakes. All this happened because Pentheus had denied the divinity of his cousin Dionysus, known to the audience as god of wine, theatre, fertility and religious ecstasy. The image above is a detail of a Red-Figure Cup showing the death of Pentheus (exterior) and a Maenad (interior), painted c. 480 BC by the Douris painter. This object can be found at the Kimbell Art Museum in Fort Worth, Texas.With Edith Hall Professor of Classics at King’s College LondonEmily Wilson Professor of Classical Studies at the University of PennsylvaniaAndRosie Wyles Lecturer in Classical History and Literature at the University of KentProducer: Simon Tillotson