In Our Time: Culture Folgen

Melvyn Bragg and guests discuss Catullus (c84-c54 BC) who wrote some of the most sublime poetry in the late Roman Republic, and some of the most obscene. He found a new way to write about love, in poems to the mysterious Lesbia, married and elusive, and he influenced Virgil and Ovid and others, yet his explicit poems were to blight his reputation for a thousand years. Once the one surviving manuscript was discovered in the Middle Ages, though, anecdotally as a plug in a wine butt, he inspired Petrarch and the Elizabethan poets, as he continues to inspire many today.The image above is of Lesbia and her Sparrow, 1860, artist unknownWithGail Trimble Brown Fellow and Tutor in Classics at Trinity College at the University of OxfordSimon Smith Reader in Creative Writing at the University of Kent, poet and translator of CatullusandMaria Wyke Professor of Latin at University College LondonProducer: Simon Tillotson

Melvyn Bragg and guests discuss the life and poetry of WH Auden (1907-1973) up to his departure from Europe for the USA in 1939. As well as his personal life, he addressed suffering and confusion, and the moral issues that affected the wider public in the 1930s and tried to unpick what was going wrong in society and to understand those times. He witnessed the rise of totalitarianism in the austerity of that decade, travelling through Germany to Berlin, seeing Spain in the Civil War and China during its wars with Japan, often collaborating with Christopher Isherwood. In his lifetime his work attracted high praise and intense criticism, and has found new audiences in the fifty years since his death, sometimes taking literally what he meant ironically. With Mark Ford Poet and Professor of English at University College LondonJanet Montefiore Professor Emerita of 20th Century English Literature at the University of KentAnd Jeremy Noel-Tod Senior Lecturer in Literature and Creative Writing at the University of East AngliaProducer: Simon Tillotson

Melvyn Bragg and guests discuss the novel written by Dostoevsky and published in 1866, in which Raskolnikov, a struggling student, justifies his murder of two women, as his future is more valuable than their lives. He thinks himself superior, above the moral laws that apply to others. The police have little evidence against him but trust him to confess, once he cannot bear the mental torture of his crime - a fate he cannot avoid, any more than he can escape from life in St Petersburg and his personal failures.The image above is from a portrait of Dostoevsky by Vasili Perov, 1872.WithSarah Hudspith Associate Professor in Russian at the University of LeedsOliver Ready Lecturer in Russian at the University of Oxford, Research Fellow at St Antony’s College and a translator of this novelAnd Sarah Young Associate Professor in Russian at the School of Slavonic and East European Studies, University College LondonProducer: Simon Tillotson