In Our Time: Culture Folgen

Melvyn Bragg and guests discuss Samuel Beckett (1906 - 1989), who lived in Paris and wrote his plays and novels in French, not because his French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, together with the absurdity and humour of the human condition. In part he was reacting to the verbal omnipotence of James Joyce, with whom he’d worked in Paris, and in part to his experience in the French Resistance during World War 2, when he used code, writing not to reveal meaning but to conceal it.WithSteven Connor Professor of English at the University of CambridgeLaura Salisbury Professor of Modern Literature at the University of ExeterAnd Mark Nixon Associate Professor in Modern Literature at the University of Reading and co-director of the Beckett International FoundationProducer: Simon Tillotson

In a programme first broadcast in 2018, Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas.The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95With Laura Ashe Professor of English Literature at Worcester College, University of OxfordAd Putter Professor of Medieval English Literature at the University of BristolAnd Simon Armitage Poet and Professor of Poetry at the Universities of Leeds and OxfordProducer: Simon Tillotson

Melvyn Bragg and guests discuss Horace (65-8BC), who flourished under the Emperor Augustus. He was one of the greatest poets of his age and is one of the most quoted of any age. Carpe diem, nil desperandum, nunc est bibendum – that’s Horace. He was the son of a freedman from southern Italy and, thanks to his talent, achieved high status in Rome despite fighting on the losing side in the civil wars. His Odes are widely thought his most enduring works, yet he also wrote his scurrilous Epodes, some philosophical Epistles and broad Satires. He’s influenced poets ever since, including those such as Wilfred Owen who rejected his line: ‘dulce et decorum est pro patria mori’.With Emily Gowers Professor of Latin Literature at the University of Cambridge and Fellow of St John’s CollegeWilliam Fitzgerald Professor of Latin Language and Literature at King’s College Londonand Ellen O’Gorman Senior Lecturer in Classics at the University of BristolProducer: Simon Tillotson