In Touch Folgen

Two UK-based charities, Blind Veterans UK and Bravo Victor, were invited to Ukraine and met with the government there to see how they can help rebuild the country's visual impairment rehabilitation services and assist with research facilities to help deal with the ongoing emergency. Nick Caplin is the chief executive of Blind Veterans UK and he tells us about the outcome of the visit and their collective plans moving forward.Rally, serve, love. That's right, its tennis season! We hear about an initiative from New Zealand that is providing visually impaired tennis fans with more information about what is happening on court. It is called Action Audio and using spatial audio data, it allows people to hear what kind of serve was given, where the ball lands in relation to the court lines and more. Tim Devine is one of the founders of Action Audio and he talks us through how it works. We also speak to Ivan Rodriguez-Deb, who is currently Britain's No.1 in the B4 men's visually impaired singles category. He tells us about his career aspirations and about the kinds of adaptations he makes, given he has some residual sight. Presenter: Peter White Producer: Beth Hemmings Production Coordinator: William Wolstenholme Website image description: An aerial shot of a blue paddle tennis court. The net runs down the centre of the image, with large shadow reflecting on the left side. Two tennis balls are located on the right side of the net.

We hear about Glastonbury Festival from Nina Chesworth's perspective. Nina had attended previous years with some sight but this year was her first time as a completely blind attendee. We also take a look at access provisions at some of the UK's other festivals and how these have evolved over the years, with Gideon Feldman, who is the Head of Programs at Attitude is Everything. Attitude is Everything have been campaigning for over twenty years to improve the disability access at live events.And finally, we hear about how American Electronic Dance musician, Lachi is changing the industry for disabled artists. She campaigns and consults on disability inclusion, including at the White House, and this year she’s launched RAMPD, Recording Artists and Music Professionals with Disabilities. The interview was first broadcast on the BBC World Service's arts program, The Cultural Frontline. Presenter: Peter White Producer: Beth Hemmings Production Coordinator: Liz PooleWebsite image description: pictured is the festival crowed at Glastonbury. In the foreground are hundreds of hands raised in the air, people sitting on shoulders, colourful flags at full mast and a masses of multi-coloured confetti is flying through the air. The cloud of confetti is so thick that the festival's Pyramid Stage appears as just a silhouette in the background.

For some visually impaired people, the element of touch is very important when trying to establish what a piece of art work looks like. This prompted listener Mike Lambert to contact the program following a visit to The World of Stonehenge exhibition at the British Museum. Mike was unhappy that he wasn't able to handle some of the stone items displayed at the exhibition and he explains to Peter a series of other access concerns that he has. We put these concerns to the Museum's Equality and Diversity Manager, Will Westwood.We also take a look at The Barbara Hepworth Museum and Sculpture Garden in St Ives. Here, they ensure that visually impaired visitors are catered for with touch tours, 3D printings of the sculptures and more. We pay a remote visit to the garden with Georgina Kennedy, the museum's Public Program Curator.Presenter: Peter White Producer: Beth Hemmings Production Coordinator: Liz PooleWebsite image description: pictured is a sculpture by Barbara Hepworth titled 'Two Forms (Divided Circle)'. The sculpture is asymmetrical, with each part at an angle to the other and one is slightly behind the other. One of the semi-circular sections has a cylindrical hole. On the other, a hole spirals from a circle to an oval. The sculpture is surrounded by lots of shrubbery and behind it, to the right, is a smaller sculpture and to the left is a large white shed with glass windows. Barbara Hepworth Two Forms (Divided Circle) 1969 © Bowness