In Touch Folgen

We hear about Glastonbury Festival from Nina Chesworth's perspective. Nina had attended previous years with some sight but this year was her first time as a completely blind attendee. We also take a look at access provisions at some of the UK's other festivals and how these have evolved over the years, with Gideon Feldman, who is the Head of Programs at Attitude is Everything. Attitude is Everything have been campaigning for over twenty years to improve the disability access at live events.And finally, we hear about how American Electronic Dance musician, Lachi is changing the industry for disabled artists. She campaigns and consults on disability inclusion, including at the White House, and this year she’s launched RAMPD, Recording Artists and Music Professionals with Disabilities. The interview was first broadcast on the BBC World Service's arts program, The Cultural Frontline. Presenter: Peter White Producer: Beth Hemmings Production Coordinator: Liz PooleWebsite image description: pictured is the festival crowed at Glastonbury. In the foreground are hundreds of hands raised in the air, people sitting on shoulders, colourful flags at full mast and a masses of multi-coloured confetti is flying through the air. The cloud of confetti is so thick that the festival's Pyramid Stage appears as just a silhouette in the background.

For some visually impaired people, the element of touch is very important when trying to establish what a piece of art work looks like. This prompted listener Mike Lambert to contact the program following a visit to The World of Stonehenge exhibition at the British Museum. Mike was unhappy that he wasn't able to handle some of the stone items displayed at the exhibition and he explains to Peter a series of other access concerns that he has. We put these concerns to the Museum's Equality and Diversity Manager, Will Westwood.We also take a look at The Barbara Hepworth Museum and Sculpture Garden in St Ives. Here, they ensure that visually impaired visitors are catered for with touch tours, 3D printings of the sculptures and more. We pay a remote visit to the garden with Georgina Kennedy, the museum's Public Program Curator.Presenter: Peter White Producer: Beth Hemmings Production Coordinator: Liz PooleWebsite image description: pictured is a sculpture by Barbara Hepworth titled 'Two Forms (Divided Circle)'. The sculpture is asymmetrical, with each part at an angle to the other and one is slightly behind the other. One of the semi-circular sections has a cylindrical hole. On the other, a hole spirals from a circle to an oval. The sculpture is surrounded by lots of shrubbery and behind it, to the right, is a smaller sculpture and to the left is a large white shed with glass windows. Barbara Hepworth Two Forms (Divided Circle) 1969 © Bowness

London’s new £18.9bn Elizabeth line has recently opened, with travellers now able to go from Abbey Wood to Heathrow and Reading, and from Shenfield to Heathrow. We went to find out about the line's access features, with Clive Wood of the charity Guide Dogs. Clive was offering advice and guidance on the accessible design of the new line and he believes there is more that can be done to ensure full accessibility. We put his concerns to TfL's chief customer officer, Mark Evers.We also travelled down to South London, to an exhibition at the Outlined Gallery called Do You See What I See? It is an exhibition that showcases the interpretations of how partially sighted people, with various conditions, see and experience art. Presenter: Peter White Producer: Beth Hemmings Production Coordinator: Liz PooleWebsite image description: pictured from the left is Sam Leftwich (one of the visually impaired participants in the Do You See What I See exhibition), then stands Elizabeth Manuel (the person leading the exhibition), then Peter White and finally Lindsay Whitelaw (the professional artist) on the right. The group stand in front of some of the art that is showcased in the exhibition.