Radiolab Folgen

It was the early 80s, the height of the Cold War, when something strange began happening off the coast of Sweden. The navy reported a mysterious sound deep below the surface of the ocean. Again, and again, and again they would hear it near their secret military bases, in their harbors, and up and down the Swedish coastline.  After thorough analysis the navy was certain. The sound was an invasion into their waters, an act of war, the opening salvos of a possible nuclear annihilation.  Or was it?  Today, Annie McEwen pulls us down into a deep-sea mystery, one of international intrigue that asks you to consider the possibility that maybe, just maybe, your deepest beliefs could be as solid as...air. This episode was reported by Annie McEwen and produced by Annie McEwen, Matt Kielty, and Sarah Qari, with sound design by Jeremy Bloom.  Special thanks to Bosse Lindquist. Support Radiolab by becoming a member today at Radiolab.org/donate.   

Since its inception, the perennial thorn in Facebook’s side has been content moderation. That is, deciding what you and I are allowed to post on the site and what we’re not. Missteps by Facebook in this area have fueled everything from a genocide in Myanmar to viral disinformation surrounding politics and the coronavirus. However, just this past year, conceding their failings, Facebook shifted its approach. They erected an independent body of twenty jurors that will make the final call on many of Facebook’s thorniest decisions. This body has been called: Facebook’s Supreme Court. So today, in collaboration with the New Yorker magazine and the New Yorker Radio Hour, we explore how this body came to be, what power it really has and how the consequences of its decisions will be nothing short of life or death. This episode was reported and produced by Simon Adler. To hear more about the court's origin, their rulings so far, and their upcoming docket, check out David Remnick and reporter Kate Klonick’s conversation in the New Yorker Radio Hour podcast feed. Support Radiolab by becoming a member today at Radiolab.org/donate.      

Candid Camera is one of the most original – and one of the most mischievous – TV shows of all time.  Admirers hailed its creator Allen Funt as a poet of the everyday. Critics denounced him as a Peeping Tom.  Funt sought to capture people at their most unguarded, their most spontaneous, their most natural.  And he did. But as the show succeeded, it started to change the way we thought not only of reality television, but also of reality itself.  Looking back at the show now, a half century later, it’s hard NOT to see so many of our preoccupations – privacy, propriety, publicity, authenticity – through a funhouse mirror, darkly. This episode was reported by Latif Nasser and produced by Matt Kielty.  Special Thanks to: Bertram van Munster, Fred Nadis, Alexa Conway, the Eastern Airlines Employee Association and Eastern Airlines Radio, Rebecca Lemov, Anna McCarthy, Jill Lepore, Cullie Bogacki Willis III, Barbara Titus and the Funt family.  Support Radiolab by becoming a member today at Radiolab.org/donate.