Today on Radiolab, we're bringing you the fourth episode of Jad's special series, Dolly Parton's America. In this episode, Jad goes back up the mountain to visit Dolly’s actual Tennessee mountain home, where she tells stories about her first trips out of the holler. Back on the mountaintop, standing under the rain by the Little Pigeon River, the trip triggers memories of Jad’s first visit to his father's childhood home, and opens the gateway to dizzying stories of music and migration.
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Radiolab is on a curiosity bender. We ask deep questions and use investigative journalism to get the answers. A given episode might whirl you through science, legal history, and into the home of someone halfway across the world. The show is known for innovative sound design, smashing information into music. It is hosted by Lulu Miller and Latif Nasser.
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Folge vom 08.11.2019Dolly Parton's America: Neon Moss
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Folge vom 30.10.2019Songs that Cross BordersComing off our adventures with Square Dancing, and Jad's dive into the world of Dolly Parton, we look back at one our favorites. About a decade ago, we found out that American country music is surprising popular in places like Zimbabwe, Thailand, and South Africa. Aaron Fox, an anthropologist of music at Columbia University, tells us that quite simply, country music tells a story that a lot of us get. Then, intrepid international reporter Gregory Warner takes us along on one of his very first forays into another country, where he discovers an unexpected taste of home. Support Radiolab today at Radiolab.org/donate. Aaron Foxes book: Real Country: Music And Language In Working-Class Culture Gregory Warner's podcast Rough Translation
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Folge vom 23.10.2019Birdie in the CagePeople have been doing the square dance since before the Declaration of Independence. But does that mean it should be THE American folk dance? That question took us on a journey from Appalachian front porches, to dance classes across our nation, to the halls of Congress, and finally a Kansas City convention center. And along the way, we uncovered a secret history of square dancing that made us see how much of our national identity we could stuff into that square, and what it means for a dance to be of the people, by the people, and for the people. Special thanks to Jim Mayo, Claude Fowler, Paul Gifford, Jim Maczko, Jim Davis, Paul Moore, Jack Pladdys, Mary Jane Wegener, Kinsey Brooke and Connie Keener. This episode was reported by Tracie Hunte and produced by Annie McEwen, Tracie Hunte, and Matt Kielty. Mix by Jeremy Bloom. Support Radiolab today at Radiolab.org/donate. Check out Phil Jamison's book, “Hoedowns, Reels, and Frolics: Roots and Branches of Southern Appalachian Dance” Watch this 1948 Lucky Strike Cigarette Square Dancing Commercial A rare image of Black Square Dancers in 1948 The Square Dance History Project Read “America’s Wholesome Square Dancing Tradition is a Tool of White Supremacy,” by Robyn Pennachia for Quartz And Pennachia’s original Twitter thread Read “The State Folk Dance Conspiracy: Fabricating a National Folk Dance,” by Julianne Mangin
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Folge vom 16.10.2019Radiolab Presents: Dolly Parton's AmericaRadiolab creator and host Jad Abumrad spent the last two years following around music legend Dolly Parton, and we're here to say you should tune in! In this episode of Radiolab, we showcase the first of Jad's special series, Dolly Parton's America. In this intensely divided moment, one of the few things everyone still seems to agree on is Dolly Parton—but why? That simple question leads to a deeply personal, historical, and musical rethinking of one of America’s great icons. We begin with a simple question: How did the queen of the boob joke become a feminist icon? Helen Morales, author of “Pilgrimage to Dollywood,” gave us a stern directive – look at the lyrics! So we dive into Dolly’s discography, starting with the early period of what Dolly calls “sad ass songs” to find remarkably prescient words of female pain, slut-shaming, domestic violence, and women being locked away in asylums by cheating husbands. We explore how Dolly took the centuries-old tradition of the Appalachian “murder ballad”—an oral tradition of men singing songs about brutally killing women—and flipped the script, singing from the woman’s point of view. And as her career progresses, the songs expand beyond the pain to tell tales of leaving abuse behind. How can such pro-woman lyrics come from someone who despises the word feminism? Dolly explains. Check out Dolly Parton's America here at: https://www.wnycstudios.org/podcasts/dolly-partons-america