The Documentary Podcast Folgen

It's a quarter of a century since Kosovo emerged from a brutal war, one which pitted local ethnic Albanians against Serbs. Twenty-five years on, the government in Pristina is pressing ahead with reforms that could reinforce its separation from Serbia. They include banning the use of Serb dinars and curbing the import of things like Serb medicines. Pristina says the moves are needed to curb illegality and tax-evasion. But they have brought widespread complaints from local Serbs who feel victimised. Is the government justified in claiming there is a rising risk of violence, or are the restrictions themselves making this more likely?

Wangari Mathenge used to be a high-flying corporate lawyer before turning to her first love of art. She likes to express herself through her colourful palette and figurative paintings, exploring her African culture, identity and past. More recently she has turned to immersive installation. For this In The Studio, arts journalist Anna Bailey follows Wangari as she creates her second immersive experience at the Pippy Houldsworth Gallery. It’s a life-sized replica of her Nairobi studio and this is where she invited 20 female domestic workers to have a day of rest, while also painting large-scale portraits of them for a new series of work which celebrates female domestic workers in Kenya. Wangari also invites listeners into her Chicago studio, where she is working on the next painting in the series. But as Anna finds out, rest is not only important to the workers but to Wangari herself. Presenter and producer Anna Bailey Executive producer Andrea Kidd.

Over the past twenty years, paintings from a private collection of Russian and Ukrainian modern art have been sold to museums and private collectors around the world. Paintings were sold for hundreds of thousands of pounds from the Zaks collection, as it’s known. It was said to include over 200 oil paintings of some of the most treasured Russian and Ukrainian avant-garde artists, including those by El Lissitzky, Exter, Goncharova and Popova, putting it among the largest in the world. This has caught the eye of three art detectives and the BBC’s Grigor Atanesian follows them, along with forensic experts, to discover more about the collection, what’s been happening and if the paintings are real or worthless fakes.