The Documentary Podcast Folgen

Professor Robert Beckford explores the Christian understanding of reparations. He speaks to Christians in Barbados who say reparations from the Church are now both justified and necessary. But their perspective is only one side of the story. In England, representatives from the Church of England and the Society for the Propagation of the Gospel articulate their understanding of reparations and why they believe it is unnecessary. Robert looks into Christian scripture to explore if there could be a theological case for the payment of reparations.

50 years after the last US bombs fell on Laos, they’re still killing and maiming. In an effort to stop the march of communism, between 1964 and 1973, America dropped over two million tonnes of ordnance on neutral Laos: on average, a planeload of bombs was released every eight minutes, 24 hours a day. This is more than was dropped on Germany and Japan in the entire Second World War. Laos, today a country of just 6 million people, remains the most heavily bombed country in the world per capita. Five decades after the war, these deadly items remain a persistent threat and daily reality for communities across Laos. More than 20,000 people have been killed or injured by UXO (unexploded ordnance, unexploded bombs, and explosive remnants of war) in Laos since the war ended in 1975, with people still killed and injured every year. Around half the victims are children. But UXO doesn’t just kill and maim, it renders agricultural land useless and prevents economic progress. Although Laos is rich in natural resources, its development has been crippled by the legacy of the war. Antonia Bolingbroke-Kent travels to Laos to tell its story 50 years on. Producer John Murphy(Photo: Clearing unexploded bombs in northern Laos. Credit: MAG / Bart Verweij)

Agatha Christie is the world's most translated author, with her work being available in over 100 languages. And one of her most beloved characters, Miss Marple, is about to be resurrected with the help of 12 contemporary authors. In The Studio talks to two of those writers: Dreda Say Mitchell who specialises in a different type of crime story, the gritty gangster genre, and Kate Mosse, who is known for her historical sagas. They reveal how they rose to the challenge of reinventing one of the most famous characters in 20th Century fiction.