The Ezra Klein Show Folgen

I’ve spent the past few months on an octopus kick. In that, I don’t seem to be alone. Octopuses (it’s incorrect to say “octopi,” to my despair) are having a moment: There are award-winning books, documentaries and even science fiction about them. I suspect it’s the same hunger that leaves many of us yearning to know aliens: How do radically different minds work? What is it like to be a truly different being living in a similar world? The flying objects above remain unidentified. But the incomprehensible objects below do not. We are starting to be smart enough to ask the question: How smart are octopuses? And what are their lives like?Sy Montgomery is a naturalist and the author of dozens of books on animals. In 2015 she published the dazzling book “The Soul of an Octopus,” which became a finalist for the National Book Award in nonfiction. It’s an investigation not only into the lives and minds of octopuses but also into the relationships they can and do have with human beings.This was one of those conversations that are hard to describe, but it was a joy to have. Montgomery writes and speaks with an appropriate sense of wonder about the world around us and the other animals that inhabit it. This is a conversation about octopuses, of course, but it’s also about us: our minds, our relationship with the natural world, what we see and what we’ve learned to stop seeing. It will leave you looking at the water — and maybe at yourself — differently.Book recommendations: The Outermost House by Henry BestonThe Old Way by Elizabeth Marshall ThomasKing Solomon's Ring by Konrad LorenzYou can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Eve Ewing’s work as a sociologist, poet, visual artist, podcaster and comic book writer manages to do two things that are often in tension: it gives us a clear picture of how race, power and education work in America right now, and envisions a world that could work radically differently.“Dreaming and imagination and possibility are very much key words for the kind of work I want to do,” Ewing says. She’s a sociologist at the University of Chicago who focuses on race and public education, and her book “Ghosts in the Schoolyard” brilliantly examines the closing of several Chicago public schools around 2013 and what they meant to the communities they served. But she has also written Marvel comics and a book for young readers, “Maya and the Robot,” which comes out next week. She hosted the podcast “Bughouse Square,” a collaboration with the Studs Terkel Radio Archive, makes visual art and works on TV productions. She is a public educator in the broadest sense of the term.I wanted to see how one person’s mind keeps all of these projects straight, and how Ewing’s sociology connects to her poetry and comic books. One thread that unites Ewing’s work is that she is often seeking out knowledge in unexpected places and challenging her audience to think about whose experiences and insights we treat as valid when debating policy. Our conversation touched on the role of public schools in low-income communities, quantitative versus “emotional” data, the limits of objectivity in debates, critical race theory and how it can inform politics, her Afrofuturist poetry that looks forward and backward in time, the cultural significance of comics, her feelings about Tony Stark and more.Mentioned: “We Real Cool” by Gwendolyn BrooksGhosts in the Schoolyard: Racism and School Closings on Chicago's South Side by Eve EwingChoosing Homes, Choosing Schools, edited by Annette Lareau and Kimberly GoyetteIronheart #1 by Eve EwingBughouse Square with Eve EwingBook recommendations:  Chlorine Sky by Mahogany L. BrowneHalfway Home: Race, Punishment and the Afterlife of Mass Incarceration by Reuben Jonathan MillerSeverance by Ling MaYou can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In February, I spoke with Heather McGhee. I’ve been thinking about the conversation ever since. “The American landscape was once graced with resplendent public swimming pools, some big enough to hold thousands of swimmers at a time,” writes McGhee in her recent book, “The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together.” These pools were the pride of their communities, monuments to what public investment could do. But they were, in many places, whites-only. Then came the desegregation orders. The pools would need to be open to everyone. But these communities found a loophole. They could close them for everyone. Drain them. Fill them with concrete. Shutter their parks departments entirely. And so they did.Drained-pool politics — if “they” can also have it, then no one can — are still with us today. They help explain why America still doesn’t have a truly universal health care system, a child care system, or a decent social safety net. Why policy changes that seem incredibly modest by international standards are so often met with backlash. And there are plenty of recent examples: A few weeks ago, Sen. Tom Cotton proposed that rather than abolishing the racist sentencing guidelines for crack cocaine possession, we extend them to powder cocaine, too. This conversation is just as relevant today as it was at the time we recorded it. The lens it offers into American policy and politics is truly invaluable for making sense of so much of what’s going on around us. And it’s message is ultimately a hopeful one: There is a $20 bill lying on the street of American public policy. It’s the vast “solidarity dividends” waiting for us, if we are willing to stand with, rather than against, each other.Recommendations: "Parable of the Sower" by Octavia E. Butler"The Color of Law" by Richard Rothstein“Good Times” (TV series)"The Word Collector" by Peter H. ReynoldsYou can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Special thanks to Kristin Lin. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.