The Ezra Klein Show Folgen

After Donald Trump was convicted last week in his hush-money trial, Republican leaders wasted no time in rallying behind him. There was no chance the Republican Party was going to replace Trump as their nominee at this point. Trump has essentially taken over the G.O.P.; his daughter-in-law is even co-chair of the Republican National Committee.How did the Republican Party get so weak that it could fall victim to a hostile takeover?Daniel Schlozman and Sam Rosenfeld are the authors of “The Hollow Parties: The Many Pasts and Disordered Present of American Party Politics,” which traces how both major political parties have been “hollowed out” over the decades, transforming once-powerful gatekeeping institutions into mere vessels for the ideologies of specific candidates. And they argue that this change has been perilous for our democracy.In this conversation, we discuss how the power of the parties has been gradually chipped away; why the Republican Party became less ideological and more geared around conflict; the merits of a stronger party system; and more.Mentioned:“Democrats Have a Better Option Than Biden” by The Ezra Klein Show“Here’s How an Open Democratic Convention Would Work” by The Ezra Klein Show with Elaine KamarckBook Recommendations:The Two Faces of American Freedom by Aziz RanaRainbow’s End by Steven P. ErieAn American Melodrama by Lewis Chester, Godfrey Hodgson, Bruce PageThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show’‘ was produced by Elias Isquith. Fact-checking by Michelle Harris, with Mary Marge Locker, Kate Sinclair and Rollin Hu. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The steady dings of notifications. The 40 tabs that greet you when you open your computer in the morning. The hundreds of unread emails, most of them spam, with subject lines pleading or screaming for you to click. Our attention is under assault these days, and most of us are familiar with the feeling that gives us — fractured, irritated, overwhelmed.D. Graham Burnett calls the attention economy an example of “human fracking”: With our attention in shorter and shorter supply, companies are going to even greater lengths to extract this precious resource from us. And he argues that it’s now reached a point that calls for a kind of revolution. “This is creating conditions that are at odds with human flourishing. We know this,” he tells me. “And we need to mount new forms of resistance.”Burnett is a professor of the history of science at Princeton University and is working on a book about the laboratory study of attention. He’s also a co-founder of the Strother School of Radical Attention, which is a kind of grass roots, artistic effort to create a curriculum for studying attention.In this conversation, we talk about how the 20th-century study of attention laid the groundwork for today’s attention economy, the connection between changing ideas of attention and changing ideas of the self, how we even define attention (this episode is worth listening to for Burnett’s collection of beautiful metaphors alone), whether the concern over our shrinking attention spans is simply a moral panic, what it means to teach attention and more.Mentioned:Friends of Attention“The Battle for Attention” by Nathan Heller“Powerful Forces Are Fracking Our Attention. We Can Fight Back.” by D. Graham Burnett, Alyssa Loh and Peter SchmidtScenes of Attention edited by D. Graham Burnett and Justin E. H. SmithBook Recommendations:Addiction by Design by Natasha Dow SchüllObjectivity by Lorraine Daston and Peter L. GalisonThe Confidence-Man by Herman MelvilleThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Rollin Hu and Kristin Lin. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Elias Isquith. Original music by Isaac Jones and Aman Sahota. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A.I.-generated art has flooded the internet, and a lot of it is derivative, even boring or offensive. But what could it look like for artists to collaborate with A.I. systems in making art that is actually generative, challenging, transcendent?Holly Herndon offered one answer with her 2019 album “PROTO.” Along with Mathew Dryhurst and the programmer Jules LaPlace, she built an A.I. called “Spawn” trained on human voices that adds an uncanny yet oddly personal layer to the music. Beyond her music and visual art, Herndon is trying to solve a problem that many creative people are encountering as A.I. becomes more prominent: How do you encourage experimentation without stealing others’ work to train A.I. models? Along with Dryhurst, Jordan Meyer and Patrick Hoepner, she co-founded Spawning, a company figuring out how to allow artists — and all of us creating content on the internet — to “consent” to our work being used as training data.In this conversation, we discuss how Herndon collaborated with a human chorus and her “A.I. baby,” Spawn, on “PROTO”; how A.I. voice imitators grew out of electronic music and other musical genres; why Herndon prefers the term “collective intelligence” to “artificial intelligence”; why an “opt-in” model could help us retain more control of our work as A.I. trawls the internet for data; and much more.Mentioned:“Fear, Uncertainty, Doubt” by Holly Herndon“xhairymutantx” by Holly Herndon and Mat Dryhurst, for the Whitney Museum of Art“Fade” by Holly Herndon“Swim” by Holly Herndon“Jolene” by Holly Herndon and Holly+“Movement” by Holly Herndon“Chorus” by Holly Herndon“Godmother” by Holly Herndon“The Precision of Infinity” by Jlin and Philip GlassHolly+Book Recommendations:Intelligence and Spirit by Reza NegarestaniChildren of Time by Adrian TchaikovskyPlurality by E. Glen Weyl, Audrey Tang and ⿻ CommunityThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero and Jack Hamilton. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.