This Cultural Life-Logo

Kultur & Gesellschaft

This Cultural Life

This Cultural Life mit 1 bewerten This Cultural Life mit 2 bewerten This Cultural Life mit 3 bewerten This Cultural Life mit 4 bewerten This Cultural Life mit 5 bewerten

In-depth conversations with some of the world's leading artists and creatives across theatre, visual arts, music, dance, film and more. Hosted by John Wilson.

Abonnieren
Jetzt anhören
  • im Online-Player
  • im phonostar-Player
  • Was ist das?
    Radio hören mit phonostar Help layer phonostarplayer Um Radio anzuhören, stehen dir bei phonostar zwei Möglichkeiten zur Verfügung: Entweder hörst du mit dem Online-Player direkt in deinem Browser, oder du nutzt den phonostar-Player. Der phonostar-Player ist eine kostenlose Software für PC und Mac, mit der du Radio unabhängig von deinem Browser finden, hören und sogar aufnehmen kannst. ›››› phonostar-Player gratis herunterladen X

Folgen von This Cultural Life

141 Folgen
  • Folge vom 05.11.2022
    Tim Minchin
    Comedian, actor and composer Tim Minchin wrote the songs for the musical adaptation of the Roald Dahl story Matilda which, after more than a decade of sell-out West End shows, has now also been adapted for the big screen. His stage musical version of the film Groundhog Day earned him an Olivier award and seven Tony nominations on Broadway. He also co-wrote and starred in the television comedy drama series Upright, and has performed solo shows around the world. Tim Minchin tells John Wilson about his most important cultural influences and creative inspirations, starting with his upbringing in Perth, Australia. He recalls his earliest attempts at songwriting, influenced by TS Eliot and 90s grunge rock bands, which led to him writing a musical version of Love's Labour's Lost for a youth theatre company whilst he was still at school. Tim chooses the American singer-songwriter Ben Folds as one of his key influences, and particularly the 1997 Ben Folds Five album Whatever Ever And Ever, Amen. He also cites being commissioned to write the songs for The Royal Shakespeare Company's Matilda The Musical, and working with director Matthew Warchus, as a major turning creative turning point. Perhaps surprisingly, Tim chooses an ill-fated musical project, Larrikins, as another important moment in his career. He reflects on how the animated adventure, which was due to star Hugh Jackman and Margot Robbie, was cancelled by studio bosses and the effect that experience had on him.Producer: Edwina Pitman
    Jetzt anhören
    • im Online-Player
    • im phonostar-Player
    • Was ist das?
      Radio hören mit phonostar Help layer phonostarplayer Um Radio anzuhören, stehen dir bei phonostar zwei Möglichkeiten zur Verfügung: Entweder hörst du mit dem Online-Player direkt in deinem Browser, oder du nutzt den phonostar-Player. Der phonostar-Player ist eine kostenlose Software für PC und Mac, mit der du Radio unabhängig von deinem Browser finden, hören und sogar aufnehmen kannst. ›››› phonostar-Player gratis herunterladen X
  • Folge vom 29.10.2022
    Florence Pugh
    Florence Pugh was Oscar and BAFTA nominated for her role as Amy March in the adaptation of Little Women. She has won huge acclaim for films including Midsommer, Lady Macbeth, and the Marvel adventure Black Widow. She also played the lead in the television adaptation of John Le Carré’s The Little Drummer Girl. More recently she’s been on the big screen in Don’t Worry Darling, and 18th century Irish drama The Wonder. Florence tells John Wilson how her performing ambitions during a primary school nativity show in which she played Mary with a northern accent, borrowed from her Grimsby-born grandparents. She chooses, as one of her most significant creative inspirations, a woman called Linda Mace who made costumes for all the school productions, and whose store room full of period clothes fuelled Florence’s imaginations. She recalls her breakthrough role in The Falling, about a fainting phenomenon at an English girls’ school in the late 1960s, and how she was inspired by the film’s director Carol Morley. She also pays tribute to casting director Shaheen Baig who helped her secure roles in subsequent films including Lady Macbeth, and remembers working alongside Anthony Hopkins and Emma Thompson when she played Cordelia in a television version of King Lear. Florence Pugh chooses the song She’s Only Happy In the Sun by the American singer songwriter Ben Harper as source of inspiration, and reflects on her own musical ambitions which started as a teenage singer-songwriter posting videos on YouTube under the name Flossie Rose. She also discusses the pressures of fame, gossip columns and why she’s learned to stop searching for references to herself in social media. Producer: Edwina Pitman
    Jetzt anhören
    • im Online-Player
    • im phonostar-Player
    • Was ist das?
      Radio hören mit phonostar Help layer phonostarplayer Um Radio anzuhören, stehen dir bei phonostar zwei Möglichkeiten zur Verfügung: Entweder hörst du mit dem Online-Player direkt in deinem Browser, oder du nutzt den phonostar-Player. Der phonostar-Player ist eine kostenlose Software für PC und Mac, mit der du Radio unabhängig von deinem Browser finden, hören und sogar aufnehmen kannst. ›››› phonostar-Player gratis herunterladen X
  • Folge vom 22.10.2022
    Shirin Neshat
    Shirin Neshat is the world’s foremost Iranian-born artist. Best known for her black and white portraits of veiled women, often with hands and faces overlain with intricate Farsi calligraphy, she works primarily as a photographer and filmmaker. A winner of one of the biggest international arts prizes, the Praemium Imperiale, she has shown art in galleries all round the world - except in Iran, as she has lived in exile in America since 1996. As human rights protests continued in Iran, a huge artwork by Shirin, called Women Life Freedom, was shown on billboards at London’s Piccadilly Circus where a rally was staged in support of Iranian protesters. Shirin Neshat tells John Wilson about her upbringing in an artistic, liberal family who lived amidst the conservative and religious Iranian city of Qazvin. She recalls how she was studying art at the University of California, Berkeley, when the Islamic Revolution took place in 1979. With new restrictions imposed on women, including the mandatory veil, she decided to remain in America. Returning to Iran for the first time in 1990, she was shocked by the changes and began to make artworks in response, primarily exploring the theme of power and oppression in two series of works entitled Unveiling and Women Of Allah. Shirin also reveals the huge influence on her work of the Iranian poet and filmmaker Forugh Farrokhzad, who was killed in a car accident in 1967 aged just 32. Producer: Edwina PitmanExtracts from The Wind Will Carry Us by Forugh Farrokhzad, read by Shahrbanou Nilou
    Jetzt anhören
    • im Online-Player
    • im phonostar-Player
    • Was ist das?
      Radio hören mit phonostar Help layer phonostarplayer Um Radio anzuhören, stehen dir bei phonostar zwei Möglichkeiten zur Verfügung: Entweder hörst du mit dem Online-Player direkt in deinem Browser, oder du nutzt den phonostar-Player. Der phonostar-Player ist eine kostenlose Software für PC und Mac, mit der du Radio unabhängig von deinem Browser finden, hören und sogar aufnehmen kannst. ›››› phonostar-Player gratis herunterladen X
  • Folge vom 15.10.2022
    Ken Loach
    Over six decades, Ken Loach has forged a reputation as Britain’s foremost politically-engaged filmmaker, exploring issues of social justice, freedom and power. He has twice won the prestigious Palme d’Or award at the Cannes Film Festival, in 2006 for The Wind That Shakes The Barley, set amidst the Irish struggle for independence, and twenty years later for I, Daniel Blake, a contemporary British story about unemployment and poverty. Ken Loach recalls his Midlands childhood as the son of a factory worker, and annual summer holidays in Blackpool. It was there that he saw end-of-pier variety acts and comedians, including Jewell and Warris, Nat Jackley and Frank Randle, all of whom helped ignited an early passion for storytelling and performance. He recalls how, after studying law at Oxford, he joined the BBC’s Wednesday Play production team, with the aim of creating television drama out of contemporary social issues. His television films Up the Junction and Cathy Come Home, which tackled abortion, unemployment and homlessness, were each seen by over 10 million people, and played an influential part in the public debate about the issues. Loach reveals that Czech cinema of the 1960s, including the films of Miloš Forman, were a huge inspiration on his own filmmaking career, with the use of the naturalistic performances and camera-work that captured the environment from a distance most clearly seen in his classic 1969 film Kes. Ken Loach also chooses as a major influence, the real lives of people whose stories have inspired his films throughout his career, including veterans of the Spanish civil war and Nicaraguans who had seen schools and health centres destroyed by the Contra rebels. Producer: Edwina Pitman
    Jetzt anhören
    • im Online-Player
    • im phonostar-Player
    • Was ist das?
      Radio hören mit phonostar Help layer phonostarplayer Um Radio anzuhören, stehen dir bei phonostar zwei Möglichkeiten zur Verfügung: Entweder hörst du mit dem Online-Player direkt in deinem Browser, oder du nutzt den phonostar-Player. Der phonostar-Player ist eine kostenlose Software für PC und Mac, mit der du Radio unabhängig von deinem Browser finden, hören und sogar aufnehmen kannst. ›››› phonostar-Player gratis herunterladen X