Melvyn Bragg and guests, including Steve Connor and Lawrence Rainey, discuss TS Eliot's seminal poem The Waste Land and its ambivalence to the modern world of technology, democracy and capitalism that was being forged around it.
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In Our Time With Melvyn Bragg Folgen
Melvyn Bragg and his guests discuss the history of ideas - including topics drawn from philosophy, science, history, religion and culture.
Folgen von In Our Time With Melvyn Bragg
1098 Folgen
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Folge vom 26.02.2009The Waste Land and Modernity
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Folge vom 19.02.2009The Observatory at JaipurMelvyn Bragg and guests discuss the Observatory in Jaipur with its vast and beautiful instruments built to make astronomical measurements of the stars. Commissioned in the early 18th century by the Rajput prince and child prodigy, Jai Singh, it was at the centre of attempts to marry hundreds of years of Indian and Persian astronomical tradition. The Observatory was also at the very centre of the city which was laid out according to astrological principles. Jai Singh’s observatory was the cutting edge of Indian astronomy but also a repository for aeons of Hindu and Islamic intellectual life. The instruments were extraordinarily accurate for the time but used no lenses and were built of masonry, not metal. They helped to develop astrological tables, immensely important in Hindu Society, and come down to us as a record of Indian astronomy on the cusp of colonialism. With Chandrika Kaul, Lecturer in Modern History at the University of St Andrews; David Arnold, Professor of Asian and Global History at the University of Warwick; Chris Minkowski, Professor in Sanskrit at the University of Oxford
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Folge vom 12.02.2009Carthage's DestructionMelvyn Bragg and guests discuss the Destruction of Carthage. The North African city of Carthage was rich and powerful, but in the second century BC it suffered a terrible fate. The Greek historian Appian wrote about it: “Then came new scenes of horror. As the fire spread and carried everything down, the soldiers did not wait to destroy the buildings little by little, but all in a heap. So the crashing grew louder, and many corpses fell with the stones into the midst. Others were seen still living, especially old men, women, and young children who had hidden in the inmost nooks of the houses, some of them wounded, some more or less burned, and uttering piteous cries.”When the Romans finally conquered their great enemy in 146 BC, they razed it to the ground, sold off its library and tried to destroy not merely the city but the civilisation based upon it. Carthage was removed from history with such effect that it’s hard to know the city save through Roman eyes.It was a pivotal moment in world history that left Rome as the supreme power in the Mediterranean but after it was gone the ghosts of Carthage haunted Rome and seemed to hint at Rome’s own fate. With Mary Beard, Professor of Classics at the University of Cambridge; Jo Quinn, Lecturer in Ancient History at the University of Oxford and Ellen O’Gorman, Senior Lecturer in Classics at the University of Bristol
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Folge vom 05.02.2009The Brothers GrimmMelvyn Bragg discusses the fairy tales of the Brothers Grimm with Juliette Wood, Marina Warner and Tony Phelan. The German siblings who in 1812 published a collection of fairy tales including Rapunzel, Hansel and Gretel, Cinderella and Rumpelstiltskin. But the Grimm versions are surprisingly, sometimes shockingly, different. Cinderella has no fairy godmother, her ugly sisters are not ugly but they do have their eyes pecked out by pigeons. Sleeping Beauty does not have an evil stepmother, Rapunzel is pregnant and Frog Princes do not get kissed but thrown against walls. They may not be the fairy tales as we know them, but without the Brothers Grimm we might not know them at all. But why did two respectable German linguists go chasing after fairy stories, what do the stories tell us about German culture and romantic nationalism at the time and why do these ever-evolving tales of horror, wonder and fantasy continue to hold us in thrall?With Juliette Wood, Associate Lecturer in Folklore at Cardiff University; Marina Warner, Professor in the Department of Literature, Film and Theatre Studies at the University of Essex; Tony Phelan, Professor in German at Keble College, Oxford.