In Our Time With Melvyn Bragg Folgen

Melvyn Bragg and guests discuss the building of St Petersburg, Peter the Great's showcase city for a modern, European Russia. It is a city of ideas. of progress and the Baroque, of Russian identity and Tsarist power. The building of St Petersburg is a testament to Tsarist power but it is also a city of ideas; of progress, of the Baroque and Russian identity. Beset by fire and flood, the city was founded by Peter the Great in 1703 to symbolise a new Russia, one that faced away from the Slavic East and towards the European West. To this end Peter and his heirs imported European architects, craftsmen and merchants to fashion his new capital.The result is a grandiose European city set amidst the freezing swamps of the Baltic coast; a Venice or Rome of the North. Indeed, the Venetian art connoisseur, Francesco Algarotti called St Petersburg ‘a window through which Russia looks on Europe’. It is a city of beauty built upon the cruelty of a tyrant and to this day encapsulates many of the contradictions of Russia.With Simon Dixon, Sir Bernard Pares Professor of Russian History at University College London; Janet Hartley, Professor of International History at the London School of Economics; Anthony Cross, Emeritus Professor of Slavonic Studies at the University of Cambridge

Melvyn Bragg and guests Krista Cowman, June Purvis and Julia Bush discuss suffragism, a name for the various movements to get the vote for women in the 19th and early-20th century. On the 4th June 1913 the Epsom Derby was underway. King George V was there watching his horse Anmer, ridden by Herbert Jones. Also watching was a young woman called Emily Davison. As the horses thundered towards the finish line, Emily Davison stepped through the barrier and threw herself in front of the King's horse and died of her injuries four days later. Davison was a suffragette, a campaigner for the woman's right to vote and her death is perhaps the most powerful image of that entire movement. Emmeline Pankhurst and her Suffragettes are famous for their militant campaign of suicide, violence and direct action, but Suffragism was a broader movement involving letter writing, reasoned argument, journalism and parliamentary petition - all played out across biology, medicine, law, psychology, politics and the military amidst the rising tide of democratic ideas.

Melvyn Bragg and guests David Bradshaw, Daniel Pick and Michele Barrett discuss Aldous Huxley's dystopian 1932 novel, Brave New World. In Act V Scene I of Shakespeare's The Tempest, the character Miranda declares 'O wonder! How many Godly creatures are there here! How beauteous mankind is! O Brave new world! That has such people in it!'. It is perhaps the only line of Shakespeare to be made famous by someone else, for Brave New World is not associated with Prospero's Island of sprites, magic and wondrous noises, but with Aldous Huxley's dystopia of eugenics, soma and zero gravity tennis. A world, incidentally, upon which literary references to Shakespeare would be entirely lost. Brave New World is a lurid, satirical dystopia in which the hopes and fears of the 1930s are writ large and yet the book seems uncannily prescient about our own time. But why did Huxley feel the need to write it and is Brave New World really as dystopian as we are led to believe?