In Our Time With Melvyn Bragg

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In Our Time With Melvyn Bragg

Melvyn Bragg and his guests discuss the history of ideas - including topics drawn from philosophy, science, history, religion and culture.

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Folgen von In Our Time With Melvyn Bragg

1037 Folgen
  • Folge vom 20.03.2008
    Kierkegaard
    Melvyn Bragg and guests discuss the rich and radical ideas of Soren Kierkegaard, often called the father of Existentialism.In 1840 a young Danish girl called Regine Olsen got engaged to her sweetheart – a modish and clever young man called Søren Kierkegaard. The two were deeply in love but soon the husband to be began to have doubts. He worried that he couldn’t make Regine happy and stay true to himself and his dreams of philosophy. It was a terrible dilemma, but Kierkegaard broke off the engagement – a decision from which neither he nor his fiancée fully recovered. This unhappy episode has become emblematic of the life and thought of Søren Kierkegaard - a philosopher who confronted the painful choices in life and who understood the darker modes of human existence. Yet Kierkegaard is much more than the gloomy Dane of reputation. A thinker of wit and elegance, his ability to live with paradox and his desire to think about individuals as free have given him great purchase in the modern world and he is known as the father of Existentialism.With Jonathan Rée, Visiting Professor at Roehampton University and the Royal College of Art; Clare Carlisle, Lecturer in Philosophy at the University of Liverpool; John Lippitt, Professor of Ethics and Philosophy of Religion at the University of Hertfordshire.
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  • Folge vom 13.03.2008
    The Greek Myths
    Melvyn Bragg and guests discuss the Greek myths from Achilles to Zeus. Are you a touch narcissistic? Do you have the body of an Adonis? Are you willing to undertake Herculean tasks or Promethean ventures? Perhaps you have an Oedipus complex? If you answer to any or perhaps all of these you owe something to the Greek myths, a collection of weird and wonderful stories that, like Penelope’s shroud or the needlework of Arachne, were constantly woven and unpicked across centuries of Greek and Roman civilisation. The myths have a cast of thousands including mighty Zeus, Jason and the Argonauts, wily Odysseus, beautiful Aphrodite and Cerberus, the three-headed dog. They are funny, shocking, quirky and epic and have retained their power and their wisdom from the ancient world to the modern. With Nick Lowe, Senior Lecturer in Classics at Royal Holloway, University of London; Richard Buxton, Professor of Greek Language and Literature at the University of Bristol; Mary Beard, Professor of Classics at Cambridge University
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  • Folge vom 06.03.2008
    Ada Lovelace
    Melvyn Bragg and guests discuss the 19th century mathematician Ada Lovelace. Deep in the heart of the Pentagon is a network of computers. They control the US military, the most powerful army on the planet, but they are controlled by a programming language called Ada. It’s named after Ada Lovelace, the allegedly hard drinking 19th century mathematician and daughter of Lord Byron. In her work with Charles Babbage on a steam driven calculating machine called the Difference Engine, Ada understood, perhaps before anyone else, what a computer might truly be. As such the Difference Engine is the spiritual ancestor of the modern computer.Ada Lovelace has been called many things - the first computer programmer and a prophet of the computer age – but most poetically perhaps by Babbage himself as an ‘enchantress of numbers’.With Patricia Fara, Senior Tutor at Clare College, Cambridge; Doron Swade, Visiting Professor in the History of Computing at Portsmouth University; John Fuegi, Visiting Professor in Biography at Kingston University.
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  • Folge vom 28.02.2008
    Lear
    Melvyn Bragg and guests discuss King Lear. Around the turn of 1606, a group of London theatre-goers braved the plague to take in a new play by the well-known impresario, Mr William Shakespeare. Packed into the Globe Theatre, they were treated to a tale of violence, hatred and betrayal so upsetting that it thereafter languished among Shakespeare’s less popular plays.The story of Lear – of a man who divides up his property and loses the love of a daughter - is an ancient and ultimately happy one. But in the hands of William Shakespeare it became a shocking and violent vision of a broken family in a godless universe. So shocking that after the playwright’s death it was shunned and rewritten with a happy ending. Only in the 19th and 20th centuries did Shakespeare’s bleak, experimental and disorientating drama attain the status it has now. But why did Shakespeare take a story from the deep history of Britain and make it so shockingly his own and when, from the Civil War to the Second World War, did this powerful and confusing tragedy emerge as Shakespeare’s greatest? With Jonathan Bate, Professor of English Literature at the University of Warwick; Katherine Duncan-Jones, Tutorial Fellow in English at Somerville College, Oxford; Catherine Belsey, Research Professor in English at the University of Wales, Swansea
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