In Our Time With Melvyn Bragg

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In Our Time With Melvyn Bragg

Melvyn Bragg and his guests discuss the history of ideas - including topics drawn from philosophy, science, history, religion and culture.

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  • Folge vom 12.10.2006
    The Diet of Worms
    Melvyn Bragg and guests discuss the Diet of Worms, an event that helped trigger the European Reformation. Nestled on a bend of the River Rhine, in the South West corner of Germany, is the City of Worms. It’s one of the oldest cities in central Europe; it still has its early city walls, its 11th century Romanesque cathedral and a 500-year-old printing industry, but in its centre is a statue of the monk, heretic and founder of the Protestant Reformation, Martin Luther. In 1521 Luther came to Worms to explain his attacks on the Catholic Church to the Holy Roman Emperor, Charles V, and the gathered dignitaries of the German lands. What happened at that meeting, called the Diet of Worms, tore countries apart, set nation against nation, felled kings and plunged dynasties into suicidal bouts of infighting. But why did Martin Luther risk execution to go to the Diet, what was at stake for the big players of medieval Europe and how did events at the Diet of Worms irrevocably change the history of Europe? With Diarmaid MacCulloch, Professor of the History of the Church at Oxford University; David Bagchi, Lecturer in the History of Christian Thought at the University of Hull; Reverend Dr Charlotte Methuen, Lecturer in Reformation History at the University of Oxford.
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  • Folge vom 05.10.2006
    Averroes
    Melvyn Bragg and guests discuss the philosopher Averroes who worked to reconcile the theology of Islam with the rationality of Aristotle achieving fame and infamy in equal measure In The Divine Comedy Dante subjected all the sinners in Christendom to a series of grisly punishments, from being buried alive to being frozen in ice. The deeper you go the more brutal and bizarre the punishments get, but the uppermost level of Hell is populated not with the mildest of Christian sinners, but with non-Christian writers and philosophers. It was the highest compliment Dante could pay to pagan thinkers in a Christian cosmos and in Canto Four he names them all. Aristotle is there with Socrates and Plato, Galen, Zeno and Seneca, but Dante ends the list with neither a Greek nor a Roman but 'with him who made that commentary vast, Averroes'. Averroes was a 12th century Islamic scholar who devoted his life to defending philosophy against the precepts of faith. He was feted by Caliphs but also had his books burnt and suffered exile. Averroes is an intellectual titan, both in his own right and as a transmitter of ideas between ancient Greece and Modern Europe. His commentary on Aristotle was so influential that St Thomas Aquinas referred to him with profound respect as 'The Commentator'. But why did an Islamic philosopher achieve such esteem in the mind of a Christian Saint, how did Averroes seek to reconcile Greek philosophy with Islamic theology and can he really be said to have sown the seeds of the Renaissance in Europe? With Amira Bennison, Senior Lecturer in Middle Eastern and Islamic Studies at the University of Cambridge; Peter Adamson, Reader in Philosophy at King's College London; Sir Anthony Kenny, philosopher and former Master of Balliol College, Oxford.
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  • Folge vom 28.09.2006
    Humboldt
    Melvyn Bragg and guests discuss the Prussian naturalist and explorer Alexander Von Humboldt. He was possibly the greatest and certainly one of the most famous scientists of the 19th century. Darwin described him as 'the greatest scientific traveller who ever lived'. Goethe declared that one learned more from an hour in his company than eight days of studying books and even Napoleon was reputed to be envious of his celebrity.A friend of Goethe and an influence on Coleridge and Shelly, when Darwin went voyaging on the Beagle it was Humboldt's works he took for inspiration and guidance. At the time of his death in 1859, the year Darwin published On the Origin of Species, Humboldt was probably the most famous scientist in Europe. Add to this shipwrecks, homosexuality and Spanish American revolutionary politics and you have the ingredients for one of the more extraordinary lives lived in Europe (and elsewhere) in the 18th and 19th centuries. But what is Humboldt's true position in the history of science? How did he lose the fame and celebrity he once enjoyed and why is he now, perhaps, more important than he has ever been? With Jason Wilson, Professor of Latin American Literature at University College London, Patricia Fara, Affiliated Lecturer in the Department of History and Philosophy of Science at the University of Cambridge, Jim Secord, Professor in the Department of History and Philosophy of Science at the University of Cambridge and Director of the Darwin Correspondence Project.
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  • Folge vom 13.07.2006
    Comedy in Ancient Greek Theatre
    Melvyn Bragg and guests discuss comedy in Ancient Greek theatre including Aristophanes and Menander. In The Birds, written by Aristophanes, two Athenians seek a Utopian refuge from the madness of city life and found a city of birds located between Earth and Olympus. Unfortunately, the idealism of their perfect new City - christened (in 414 BC) 'Cloud Cuckoo Land' - becomes corrupted and its decline was portrayed by one man (the chorus) playing 24 different species of bird. In one of Aristophanes' other politically anthropomorphic plays, The Wasps, was devised as an attack on the failures of Athenian democracy. It featured a chorus of actors dressed in black and yellow stripes who swarmed the stage stinging each other. Crammed with absurd images and satirical barbs, Comic theatre was a popular art form where mass appeal and coarse humour was combined with men in drag lambasting political figures and local big wigs. And from the fifth century BC onwards, Greek comic theatre fizzed and flourished, crossing boundaries of time and space, often informed by a savage political spleen. But how did Greek comedy evolve? Why did its subsequent development differ so radically from that of Greek tragedy? To what extent did it reflect the anxieties and preoccupations of a nascent democracy? And can it be said to have left any lasting legacy? With Paul Cartledge, Professor of Greek History at the University of Cambridge; Edith Hall, Professor of Drama and Classics at Royal Holloway, University of London; Nick Lowe, Senior Lecturer in Classics at Royal Holloway, University of London.
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